A bibliography (compiled in 1985) of Ingarden’s works in English, French, German and Polish and of secondary sources is available in the edition of Ingarden’s Selected Papers in Aesthetics cited below.

Select Works in German

• Intuition und Intellekt bei Henri Bergson, Halle: Max Niemeyer, 1921.
• Essentiale Fragen. Ein Beitrag zum Problem des Wesens, Halle: Max Niemeyer, 1925.
• “Bemerkungen zum Problem Idealismus-Realismus,” Jahrbuch für Philosophie und Phänomenologische Forschung, Ergänzungsband: Festschrift, Edmund Husserl zum 70. Geburtstag gewidmet, Halle: 1929, pp. 159–190. (Scholar)
• Das literarische Kunstwerk. Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft, Halle: Max Niemeyer, 1931.
• Untersuchungen zur Ontologie der Kunst: Musikwerk. Bild. Architektur. Film, Tübingen: Max Niemeyer, 1962.
• Der Streit um die Existenz der Welt, Bd. I, II/1, II/2. Tübingen: Max Niemeyer, 1964–1965.
• Vom Erkennen des literarischen Kunstwerks, Tübingen: Max Niemeyer, 1968.
• Erlebnis, Kunstwerk und Wert. Vorträge zur Ästhetik 1937–1967, Tübingen: Max Niemeyer, 1969.
• Über die Verantwortung. Ihre ontischen Fundamente, Stuttgart: Reclam, 1970.
• Über die kausale Struktur der realen Welt. Der Streit um die Existenz der Welt, Band III, Tübingen: Max Niemeyer, 1974.

Select Works in Polish

• O poznawaniu dzieła literackiego (The Cognition of the Literary Work of Art), Ossolineum, Lwów: 1937.
• O budowie obrazu. Szkic z teorii sztuki (On the Structure of the Painting: A Sketch in the Theory of Art), Rozprawy Wydziału Filozoficznego PAU, Volume LXVII, No. 2, Kraków, 1946.
• “O dziele architektury” (On the Architectural Work of Art). Nauka i Sztuka, Volume II, No. 1, 1946, pp. 3–26 and No. 2, pp. 26–51. (Scholar)
• Spór o istnienie śwaita (The Controversy over the Existence of the World), PAU, Volume I, Kraków: 1947, Vol. II, Kraków, 1948. (Scholar)
• Szkice z filozofii literatury (Sketches in the Philosophy of Literature), Volume 1, Spółdzielnia wydawnicza “Polonista,” Łódź, 1947. (Scholar)
• “Elementy dzieła muzycznego” (Elements of the Musical Work of Art), Sprawozdania Towarzystwa Naukowego w Toruniu, Volume IX, 1955, Nos. 1–4, pp. 82–84. (Scholar)
• Studia z estetyki (Studies in Aesthetics), PWN, Volume I Warszawa, 1957, Volume II, Warszawa, 1958. (Scholar)
• O dziele literackim (The Literary Work of Art), PWN, Warszawa, 1960.
• Przeżycie – dzieło – wartość (Experience – Work of Art – Value), WL, Kraków, 1966.
• Studia z estetyki, Tom III (Studies in Aesthetics, Vol. III), PWN, Warszawa, 1970.
• U podstaw teorii poznania (Foundations of the Theory of Knowledge), PWN, Warszawa, 1971.
• Książeczka o człowieku (Little Book on Man), Wydawnictwo Literackie, Kraków, 1972.

Select Works in English Translation

• “Aesthetic Experience and Aesthetic Object”, Philosophy and Phenomenological Research 21/3: 289–313, 1961. (Scholar)
• The Cognition of the Literary Work of Art, translated by Ruth Ann Crowley and Kenneth R. Olson, Evanston, Illinois: Northwestern University Press, 1973.
• The Controversy over the Existence of the World, translated by Arthur Szylewicz. Frankfurt am Main: Peter Lang, 2013.
• The Literary Work of Art, translated by George G. Grabowicz, Evanston, Illinois: Northwestern University Press, 1973.
• “The Letter to Husserl about the VI [Logical] Investigation and ‘Idealism’,” in Tymieniecka, 1976, pp. 419–438. (Scholar)
• “The Logical Attempt at a New Formulation of Philosophy: A Critical Remark”, translated by Bernard Linsky. Journal for the History of Analytical Philosophy Volume 6, No. 6, 2018. (Scholar)
• Man and Value, translated by Arthur Szylewicz, München: Philosophia Verlag, 1983.
• On the Motives which led Edmund Husserl to Transcendental Idealism, translated by Arnor Hannibalsson, The Hague: 1976.
• The Ontology of the Work of Art, translated by Raymond Meyer with John T. Goldthwait, Athens, Ohio: Ohio University Press, 1989.
• Selected Papers in Aesthetics, Peter J. McCormick (ed.), München: Philosophia Verlag, 1985.
• Time and Modes of Being, translated (from parts of Der Streit) by Helen R. Michejda, Springfield, Illinois: Charles C. Thomas, 1964.
• The Work of Music and the Problem of its Identity, translated by A. Czerniawski. Houndmills, U.K.: The Macmillan Press Ltd., 1986

Select Secondary Sources

• Bundgaard, Peer F., 2013. “Roman Ingarden’s Theory of Reader Experience: A Critical Assessment”. Semiotica, 194: 171–188. (Scholar)
• Chojna, Wojciech, 2017. Roman Ingarden’s Philosophy of Literature: A Phenomenological Account. Leiden: Brill Rodolpi. (Scholar)
• Chrudzimski, Arkadiusz (ed.), 2005, Existence, Culture, Persons: The Ontology of Roman Ingarden, Frankfurt: Ontos. (Scholar)
• Chrudzimski, Arkadiusz, 2015, “Ingarden on Modes of Being” in Denis Seron, Sebastien Richard and Bruno Leclercq (eds.), Objects and Pseudo-Objects: Ontological Deserts and Jungles from Brentano to Carnap, Berlin: DeGruyter, pp. 199–222. (Scholar)
• DeSantis, Daniele, 2015, “Wesen, Eidos, Idea Remarks on the ‘Platonism’ of Jean Héring and Roman Ingarden.” Studia Phaenomenologica 15: 155–180. (Scholar)
• Dziemidok, B. and McCormick, P. (eds.), 1989, On the Aesthetics of Roman Ingarden: Interpretations and Assessments, Dordrecht: Kluwer. (Scholar)
• Ewing, A.C., 1926, Review of Essentiale Fragen, Mind, 35 (138): 250. (Scholar)
• Gniazdowski, Andrzej, 2010, “Roman Ingarden,” Handbook of Phenomenological Aesthetics, Hans Rainer Sapp and Lester Embree (eds.), Dordrecht: Springer, pp. 167–70. (Scholar)
• Graff, P. and S. Krzemień-Ojak (eds.), 1975, Roman Ingarden and Contemporary Polish Aesthetics, Warsaw: PWN. (Scholar)
• Husserl, Edmund, 1968, Briefe an Roman Ingarden, The Hague: Martinus Nijhoff. (Scholar)
• Kobiela, Filip, 2019, “How Long Does the Present Last? The Problem of Fissuration in Roman Ingarden’s Ontology,” in Barthlomiej Skowron, ed., Contemporary Polish Ontology, Berlin: De Gruyter, pp. 51–70. (Scholar)
• Küng, Guido, 1972, “Ingarden on Language and Ontology,” Analecta Husserliana, 2: 204–217. (Scholar)
• Mitscherling, Jeff, 1997, Roman Ingarden’s Ontology and Aesthetics, Ottawa: University of Ottawa Press. (Scholar)
• Mitscherling, Jeff, 2012, “Roman Ingarden: Aesthetics,” Philosophy Compass, 7(7): 436–37. (Scholar)
• Nowak, Andrzej and Lesnek Sosnowski (eds.), 2001, Dictionary of Roman Ingarden’s Philosophical Concepts, Kraków: Institute of Philosophy, Jagellonian University. (Scholar)
• Pelletier, Jeffry and Bernard Linsky. 2018. “Verification: The Hysteron Proteron Argument” in Journal for the History of Analytical Philosophy, Volume 6 No 6. (Scholar)
• Richard, Sébastian and Malherbe, Olivier (eds.), 2016. Form(s) and Modes of Being. The Ontology of Roman Ingarden. Berlin: Peter Lang. (Scholar)
• Rudnik, Hans H. (ed.), 1990, Ingardeniana II: New Studies in the Philosophy of Roman Ingarden (Analecta Husserliana, Volume 30), Dordrecht: Kluwer. (Scholar)
• Ryle, Gilbert, 1927, Review of Essentiale Fragen, Mind, 36 (143): 366–370. (Scholar)
• Smith, Barry, 1978, “Roman Ingarden: Ontological Foundations for Literary Theory,” in Language, Literature and Meaning (Volume I), J. Odmark (ed.), Amsterdam: Benjamins, pp. 373–390. (Scholar)
• Spiegelberg, Herbert, 1982, The Phenomenological Movement, The Hague: Martinus Nijhoff. (Scholar)
• Stein, Edith, 2014. Letters to Roman Ingarden, translated by Hugh Candler Hunt, Washington, D.C.: ICS Publications. (Scholar)
• Szyszkowska, Malgorzata, 2018, “Musical Phenomenology: Artistic Traditions and Everyday Experience”. Avant IX/2: 141–55. (Scholar)
• Tymieniecka, Anna-Teresa (ed.), 1976, Ingardeniana (Analecta Husserliana, Volume IV), Dordrecht: D. Reidel. (Scholar)
• ––– (ed.), 1991, Ingardeniana III: Roman Ingarden’s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature, (Analecta Husserliana, Volume 33), Dordrecht: Kluwer. (Scholar)
• Uemura, Genki, 2019,“Demystifying Roman Ingarden’s Purely Intentional Objects of Perception,” in Shigeru Taguchi & Nicolas de Warren (eds.), New Phenomenological Studies in Japan. Springer Verlag. pp. 139–162. (Scholar)
• Wellek, René, 1982, Four Critics: Croce, Valery, Lukács and Ingarden, Seattle: University of Washington Press. (Scholar)