Linked bibliography for the SEP article "Japanese Aesthetics" by Graham Parkes and Adam Loughnane

This is an automatically generated and experimental page

If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.

  • Berthier, François, 2000, Reading Zen in the Rocks: The Japanese Dry Landscape Garden, Graham Parkes (trans.), Chicago and London: University of Chicago Press. (Scholar)
  • Bordwell, David, 1988, Ozu and the Poetics of Cinema, Princeton: Princeton University Press. (Scholar)
  • Carter, Robert E., 2008, The Japanese Arts and Self-Cultivation, Albany: State University of New York Press. (Scholar)
  • Clarke, John (trans), 1997, Reflections on Japanese Taste: The Structure of Iki, Sydney: Power Institute Publications. (Scholar)
  • Covell, Jon Carter, 1975, Under the Seal of Sesshū, New York: Hacker Art Books. (Scholar)
  • deBary, William Theodore, et al. (eds.), 2001, Sources of Japanese Tradition (Volume I), New York: Columbia University Press, chapters 9 and 16. (Scholar)
  • –––, 2005, Sources of Japanese Tradition (Volume II), New York: Columbia University Press, chapter 27. (Scholar)
  • Ghilardi, M., 2015, The Line of the Arch: Intercultural Issues between Aesthetics and Ethics, Milan: Mimesis International. (Scholar)
  • Hakuin, Ekaku, 1971, The Zen Master Hakuin: Selected Writings, Philip Yampolsky (trans.), New York: Columbia University Press. (Scholar)
  • Hammitzsch, Horst, 1980, Zen in the Art of the Tea Ceremony: A Guide to the Tea Way, New York: St. Martin’s Press. (Scholar)
  • Hirota, Dennis, ed., 1995, Wind in the Pines: Classic Writings of the Way of Tea as a Buddhist Path, Fremont: Asian Humanities Press. (Scholar)
  • Hume, Nancy G., ed., 1995, Japanese Aesthetics and Culture: A Reader, Albany: State University of New York Press. (Scholar)
  • Izutsu, Toshihiko and Toyo, 1981, The Theory of Beauty in the Classical Aesthetics of Japan, The Hague, Boston, London: Nijhoff. (Scholar)
  • Jullien, Francois, 2009, The Great Image Has No Form, or on the Nonobject through Painting, Chicago: University of Chicago Press. (Scholar)
  • Keene, Donald, 1967, Essays in Idleness: The Tsurezuregusa of Kenkō, New York: Columbia University Press. (Scholar)
  • Lippit, Yukio, 2012, “Of Modes and Manners in Japanese Ink Painting: Sesshū’s ‘Splashed Ink Landscape’ of 1495,” The Art Bulletin, 94(1): 50–77. (Scholar)
  • Marra, Michael F. (trans. and ed.), 2001, A History of Modern Japanese Aesthetics, Honolulu: University of Hawai‘i Press. (Scholar)
  • –––, 2004, Kuki Shūzō A Philosopher’s Poetry and Aesthetics, Honolulu: University of Hawai‘i Press. (Scholar)
  • ––– (ed.), 2011, “Aesthetics” (translations of excerpts from seventeen authors), in James W. Heisig, Thomas P. Kasulis, John C. Maraldo, eds, Japanese Philosophy: A Sourcebook, Honolulu: University of Hawai‘i Press, pp. 1167–1227. (Scholar)
  • Marra, Michele, 1999, Modern Japanese Aesthetics: A Reader, Honolulu: University of Hawai‘i Press. (Scholar)
  • McCullough, Helen C. (trans.), 1988, The Tale of the Heike, Stanford: Stanford University Press. (Scholar)
  • Nara, Hiroshi, 2004, The Structure of Detachment: The Aesthetic Vision of Kuki Shūzō (with a translation of Iki no kōzō), Honolulu: University of Hawai‘i Press. (Scholar)
  • Nguyen, A. Minh (ed.), 2018, New Essays in Japanese Aesthetics, Lanham & London: Lexington Books. (Scholar)
  • Nishida, Kitarō, 1992, An Inquiry into the Good, New Haven: Yale University Press. (Scholar)
  • Nishitani, Keiji, 1995, “The Japanese Art of Arranged Flowers,” trans. Jeff Shore, in Robert C. Solomon and Kathleen M. Higgins (eds.), World Philosophy: A Text with Readings, New York: McGraw Hill. (Scholar)
  • Odin, Steve, 2001, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics, Honolulu: University of Hawai‘i Press. (Scholar)
  • Ohashi, Ryōsuke, 1998, “Kire and Iki,” Graham Parkes (trans.), in Michael Kelly (ed.), The Encyclopedia of Aesthetics, New York: Oxford University Press, 2: 553–55. (Scholar)
  • Parkes, Graham, 1995, “Ways of Japanese Thinking,” in Hume (1995), 77–108. (Scholar)
  • –––, 1997, review of Leslie Pincus, Authenticating Culture in Imperial Japan: Kuki Shūzō and the Rise of National Aesthetics, in Chanoyu Quarterly, 86: 63–70. (Scholar)
  • –––, 2000, “The Role of Rock in the Japanese Dry Landscape Garden: A Philosophical Essay,” in Berthier (2000), 85–155. (Scholar)
  • –––, 2007, “The Definite Internationalism of the Kyoto School,” in Christopher Goto-Jones (ed.), The Political Philosophy of the Kyoto School, London and New York: Routledge, 161–182. (Scholar)
  • Rimer, J. Thomas and Yamazaki Masakazu (trans.), 1984, On the Art of the Nō Drama: The Major Treatises of Zeami, Princeton: Princeton University Press. (Scholar)
  • Saito, Yuriko, 2007, Everyday Aesthetics, Oxford, New York: Oxford University Press. (Scholar)
  • Tanizaki, Jun’ichirō, 1977, In Praise of Shadows, Thomas J. Harper and Edward G. Seidensticker (trans.), New Haven: Leete’s Island Books. (Scholar)

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