Linked bibliography for the SEP article "The Paradox of Suspense" by Aaron Smuts
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If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.
This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.
- Carroll, Noël, 2001, “The Paradox of Suspense”, in Beyond
Aesthetics, Cambridge: Cambridge University Press. (Scholar)
- –––, 1984, “Toward a Theory of Film Suspense”,
Persistence of Vision, 1: 65–89. (Scholar)
- –––, 1990, The Philosophy of Horror; or, Paradoxes of the Heart, New York: Routledge. (Scholar)
- Gerrig, Richard, 1997, “Is there a Paradox of Suspense? A Reply to Yanal”, British Journal of Aesthetics, 37: 168–174 (Scholar)
- –––, 1993, Experiencing Narrative
Worlds, New Haven, CT: Yale University Press. (Scholar)
- –––, 1989, “Reexperiencing Fiction and Non-Fiction”, The Journal of Aesthetics and Art Criticism, 47: 277–80 (Scholar)
- Mag Uidhir, Christy, 2011a, “An eliminativist theory of suspense” Philosophy and Literature, 35(1): 121–133. (Scholar)
- –––, 2011b, “The Paradox of Suspense Realism” Journal of Aesthetics and Art Criticism, 69(2): 161–171. (Scholar)
- Ortony, Andrew, Gerald L. Clore, and Allan Collins, 1998, The
Cognitive Structure of Emotions, Cambridge: Cambridge University
Press. (Scholar)
- Smuts, Aaron, 2008, “The Desire-Frustration Theory of Suspense” The Journal of Aesthetics and Art Criticism, 66 (3): 281–291. (Scholar)
- Smuts, Aaron and Jonathan Frome, 2004, “Helpless Spectators: Generating Suspense in Videogames and Film”, Text Technology, 13(1): 13–34 (Scholar)
- Walton, Kendall, 1990, Mimesis as Make-Believe: On the Foundations of the Representational Arts, Cambridge, MA: Harvard University Press. (Scholar)
- Yanal, Robert, 1999, Paradoxes of Emotion and Fiction, State College, PA: Penn State University Press. (Scholar)
- –––, 1996, “The Paradox of Suspense”, British Journal of Aesthetics, 36: 146–158. (Scholar)