Primary Works

In German

• Arthur Schopenhauers sämtliche Werke, 16 volumes, Paul Deussen (ed.), München: R. Piper & Co., 1911–1941.
• Sämtliche Werke, 7 volumes, Arthur Hübscher (ed.), Leipzig: F.A. Brockhaus, 1988.

In English Translation

• On the Basis of Morality (OBM), E.F.J. Payne (trans.), Providence: Berghahn Books, 1995.
• On the Fourfold Root of the Principle of Sufficient Reason (FR), E.F.J. Payne (trans.), La Salle, IL: Open Court, 1974.
• Prize Essay on the Freedom of the Will (FW), Günter Zöller (ed.), E. F. J. Payne (trans.), Cambridge: Cambridge University Press, 1999.
• The World as Will and Representation (WWR I), volume I, Judith Norman, Alistair Welchman, and Christopher Janaway (eds.), Cambridge: Cambridge University Press, 2011 [translation from the 3^rd edition].
• The World as Will and Representation (WWR II), E.F.J. Payne (trans.), 3^rd edition, 2 volumes. Dover: New York, 1966.

Secondary Works

• Alperson, Philip, 1981, “Schopenhauer and musical revelation,” Journal of Aesthetics and Art Criticism, 40(2): 155–166. (Scholar)
• Atwell, J., 1995, Schopenhauer on the Character of the World, Berkeley: University of California Press. (Scholar)
• Cartwright, David, 2001, “Two Senses of ‘Thing-in-itself’ in Schopenhauer’s Philosophy,” Idealistic Studies, 31: 31–54. (Scholar)
• Cubero, Diego, 2017, “Schopenhauer, Schenker, and the Will of Music,” in S. Shapshay (ed.) The Palgrave Schopenhauer Handbook, London: Palgrave Macmillan, 213-235.
• De Cian, Nicoletta & Segala, Marco, 2002, “What is Will?” Schopenhauer-Jahrbuch, 83: 13–42. (Scholar)
• Ferrara, Lawrence, 1996, “Schopenhauer on music as the embodiment of Will,” In Dale Jacquette (ed.) Schopenhauer, philosophy and the arts, Cambridge: Cambridge University Press, 183–199. (Scholar)
• Gardiner, P., 1967, Schopenhauer, Middlesex: Penguin Books. (Scholar)
• Goehr, Lydia, 1996, “Schopenhauer and the musicians: an inquiry into the sounds of silence and the limits of philosophizing about music,” in D. Jacquette (ed.) Schopenhauer, Philosophy and the Arts, Cambridge: Cambridge University Press, 200–228. (Scholar)
• –––, 1998. The Quest for Voice: On Music, Politics, and the Limits of Philosophy, Oxford: Oxford University Press. (Scholar)
• Guyer, Paul, 1996, “Pleasure and knowledge in Schopenhauer’s aesthetics,” in D. Jacquette (ed.) Schopenhauer, Philosophy and the Arts, Cambridge: Cambridge University Press, 109–132. (Scholar)
• –––, 2008, “Back to Truth: Knowledge and Pleasure in the Aesthetics of Schopenhauer,” European Journal of Philosophy, 16(2): 164–178. (Scholar)
• Hamlyn, D. W., 1980, Schopenhauer, London: Routledge & Kegan Paul. (Scholar)
• Jacquette, Dale (ed.), 1996, Schopenhauer, Philosophy and the Arts, Cambridge: Cambridge University Press. (Scholar)
• –––, 2005, The Philosophy of Schopenhauer, Chesham, UK: Acumen. (Scholar)
• –––, 2007, “Schopenhauer’s Proof that Thing in itself is Will,” Kantian Review, 12(2): 76–108. (Scholar)
• Janaway, C., 1989, Self and World in Schopenhauer’s Philosophy, Oxford: Clarendon Press. (Scholar)
• –––, 1994, Schopenhauer, Oxford: Oxford University Press. (Scholar)
• ––– (ed.), 1998, Willing and Nothingness: Schopenhauer as Nietzsche’s Educator, Oxford: Clarendon Press. (Scholar)
• –––, 1999, The Cambridge Companion to Schopenhauer, Cambridge: Cambridge University Press. (Scholar)
• Janaway, C. & A. Neill (eds.), 2009, Better Consciousness: Schopenhauer’s Philosophy of Value, Oxford: Blackwell. (Scholar)
• Langer, Susanne, 1953, Feeling and Form: A Theory of Art, New York: Scribner. (Scholar)
• Magee, Bryan, 1997, The Philosophy of Schopenhauer, 2^nd edition, Oxford: Oxford University Press. (Scholar)
• Millán, Elizabeth, 2017, “Aesthetic Humanism: Poetry’s Role in the Work of Friedrich Schlegel and Schopenhauer,” in S. Shapshay (ed.) The Palgrave Schopenhauer Handbook, London: Palgrave Macmillan, 179-196.
• Neeley, Steven G., 1997, “Schopenhauer and the Limits of Language,” Idealistic Studies, 27: 47–67. (Scholar)
• –––, 2004, Schopenhauer: A Consistent Reading, Lewiston, N.Y.: Edwin Mellen Press. (Scholar)
• Neill, Alex, 2003, “Schopenhauer on Tragedy and Value,” in José Luis Bermúdez and Sebastian Gardner (eds.), Art and Morality (New York: Routledge), pp. 204–17. (Scholar)
• –––, 2008, “Aesthetic Experience in Schopenhauer’s Metaphysics of Will,” European Journal of Philosophy, 16: 179–93. (Scholar)
• –––, 2011, “Schopenhauer on Tragedy and the Sublime,” in Bart Vandenabeele (ed.), The Blackwell Companion to Schopenhauer, Oxford: Blackwell. (Scholar)
• –––, 2015, “The Pornographic, the Erotic, the Charming and the Sublime,” in Hans Maes and Jerrold Levinson (eds.), Art and Pornography, Oxford: Oxford University Press. (Scholar)
• Neill, Alex & Shapshay, Sandra, 2012, “Moral and aesthetic freedom in Schopenhauer’s metaphysics,” Internationales Jahrbuch des Deutschen Idealismus/International Yearbook of German Idealism. (Scholar)
• Neymeyr, Barbara, 1996, Ästhetische Autonomie als Abnormalität: kritische Analysen zu Schopenhauers Ästhetik im Horizont seiner Willensmetaphysik, Berlin: de Gruyter. (Scholar)
• Nietzsche, F., 1997 [1874], Untimely Meditations, R. J. Hollingdale (trans.), Cambridge: Cambridge University Press. (Scholar)
• –––, 1967 [1872], The Birth of Tragedy, Walter Kaufmann (trans.), New York: Random House. (Scholar)
• –––, 1998, [1887], On the Genealogy of Morality, M. Clark & A. Swenson (trans.), Indianapolis: Hackett. [Cited as GM.] (Scholar)
• Norman, Judith, 2017, “Music and Pessimism,” in S. Shapshay (ed.) The Palgrave Schopenhauer Handbook, London: Palgrave Macmillan, 197-212.
• Reginster, B., 2006, The Affirmation of Life: Nietzsche on Overcoming Nihilism, Cambridge, MA: Harvard University Press. (Scholar)
• Safranski, R., 1997, Schopenhauer and the Wild Years of Philosophy, Ewald Osers (trans.), Cambridge, MA: Harvard University Press. (Scholar)
• Shapshay, Sandra, 2008, “Poetic Intuition and the Bounds of Sense: Metaphor and Metonymy in Schopenhauer’s Philosophy,” European Journal of Philosophy, 16(2): 211–229. (Scholar)
• –––, 2011, “Did Schopenhauer Neglect the ‘Neglected Alternative’ Objection?” Archiv für Geschichte der Philosophie, 93(3): 321–348. (Scholar)
• –––, 2012, “Schopenhauer’s Transformation of the Kantian Sublime”. Kantian Review. (Scholar)
• –––, 2012a, “Schopenhauer’s Aesthetics and Philosophy of Art” Philosophy Compass, 7(1): 11–22. (Scholar)
• –––, 2012b, “The Problem with the Problem of Tragedy: Schopenhauer’s Solution Revisited” British Journal of Aesthetics, 52: 17–32. (Scholar)
• –––, 2014, “Schopenhauer on the Symbiotic Relationship between Philosophy and the Expressive Arts: A Reconstruction and Defense,” Schopenhauer-Jahrbuch 95, 51-70.
• Tanner, M., 1998, Schopenhauer: Metaphysics and Art, London: Orion Publishing. (Scholar)
• Vandenabeele, Bart, 2003, “Schopenhauer, Nietzsche, and the Aesthetically Sublime,” Journal of Aesthetic Education, 37(1): 90–106. (Scholar)
• –––, 2015, The Sublime in Schopenhauer’s Philosophy, London: Palgrave.
• Vasalou, Sophia, 2013, Schopenhauer and the Aesthetic Standpoint: Philosophy as Practice of the Sublime, Cambridge: Cambridge University Press.
• Wicks, Robert, 2008, “Natural Beauty and Optimism in Schopenhauer’s Aesthetics,” European Journal of Philosophy, (16)2: 273-291.
• –––, 2008, Schopenhauer, Oxford: Blackwell. (Scholar)
• Young, J., 1987, Willing and Unwilling: A Study in the Philosophy of Arthur Schopenhauer, Dordrecht: Martinus Nijhof. (Scholar)
• –––, 1992, Nietzsche’s Philosophy of Art, Cambridge: Cambridge University Press. (Scholar)
• –––, 2005, Schopenhauer, New York: Routledge. (Scholar)