Linked bibliography for the SEP article "Sounds" by Roberto Casati, Jerome Dokic and Elvira Di Bona
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- Aristotle, De Anima (On the Soul), in The Complete Works of Aristotle: The Revised Oxford Translation, James Barnes (trans.), Oxford: Princeton University Press, 1991.
- Bennett, Jonathan, 1996, “What Events Are”, in Casati and Varzi 1996: 137–151. (Scholar)
- Berkeley, George, 1713 [1975], Three Dialogues Between Hylas and Philonous, reprinted in M.R. Ayers (ed.), Philosophical Works, London: Dent, 1975. (Scholar)
- Binet, Alfred, 1905, L’Âme et le Corps, Paris: Flammarion.
- Blauert, Jens, 1974 [1983], Räumliches Hören, Stuttgart: S. Hirzel Verlag. English translation, Spatial Hearing, Cambridge, MA: MIT Press, 1983.
- Bregman, Albert S., 1990, Auditory Scene Analysis, Cambridge, MA: MIT Press. (Scholar)
- Bullot, Nicolas J. and Paul Égré, 2010, Objects and Sound Perception, special issue of Review of Philosophy and Psychology, 1(1). Includes Kubovy and Schutz 2010; Matthen 2010; Nudds 2010; O’Callaghan 2010; Roden 2010. (Scholar)
- Butler, Ronald J. (ed.), 1965, Analytical Philosophy (Second Series), Oxford: Basil Blackwell. (Scholar)
- Casati, Roberto, Elvira Di Bona, and Jérôme Dokic, 2013, “The Ockhamization of the Event Sources of Sound”, Analysis, 73(3): 462–466. doi:10.1093/analys/ant035 (Scholar)
- Casati, Roberto and Jérôme Dokic, 1994, La philosophie du son, Nîmes: Chambon. (Scholar)
- –––, 2009, “Some Varieties of Spatial Hearing”, in Nudds and O’Callaghan 2009: 97–110. (Scholar)
- Casati, Roberto and Achille C. Varzi (eds.), 1996, Events, (International Research Library of Philosophy 15), Aldershot: Dartmouth. (Scholar)
- Churchland, Paul M., 2007, Neurophilosophy at Work, Cambridge: Cambridge University Press. doi:10.1017/cbo9780511498435 (Scholar)
- Cohen, Jonathan, 2010, “Sounds and Temporality”, in Zimmerman 2010: 303–320. (Scholar)
- Crowther, Thomas and Clare Mac Cumhaill (eds.), 2018, Perceptual Ephemera, Oxford: Oxford University Press. doi:10.1093/oso/9780198722304.001.0001 (Scholar)
- Davidson, Donald, 1969, “The Individuation of Events”, in Essays in Honor of Carl G. Hempel, Nicholas Rescher (ed.), Dordrecht: Springer Netherlands, 216–234. Reprinted in Casati and Varzi 1996: 265–83. doi:10.1007/978-94-017-1466-2_11 (Scholar)
- –––, 1980, Essays on Actions and Events, Oxford: Clarendon Press. (Scholar)
- Descartes, René, 1649, The Passions of the Soul, Indianapolis: Hackett Publishing Company, 1989. (Scholar)
- Di Bona, Elvira, 2017, “Towards a Rich View of Auditory Experience”, Philosophical Studies, 174(11): 2629–2643. doi:10.1007/s11098-016-0802-4 (Scholar)
- –––, 2019, “Why Space Matters to an Understanding of Sound”, in Spatial Senses: Philosophy of Perception in an Age of Science, Tony Cheng, Ophelia Deroy, and Charles Spence (eds.), New York: Routledge. (Scholar)
- Di Bona, Elvira and Vincenzo Santarcangelo (eds.), 2017, The Auditory Object, Special Issue, Rivista di Estetica, 66(3). [Di Bona and Santarcangelo 2017 available online] (Scholar)
- –––, 2018, Il suono. L’esperienza uditiva e i suoi oggetti, Milan: Raffaello Cortina. (Scholar)
- Dretske, Fred I., 1967, “Can Events Move?”, Mind, 76(304): 479–492. Reprinted in Casati and Varzi 1996: 415–428. doi:10.1093/mind/lxxvi.304.479 (Scholar)
- Ducasse, C. J., 1926, “On the Nature and the Observability of the Causal Relation”, The Journal of Philosophy, 23(3): 57–68. doi:10.2307/2014377 (Scholar)
- Evans, Gareth, 1980 [1986], “Things Without the Mind”, in Van Straaten 1980: 76–116. Reprinted in his Collected Papers, A. Phillips (ed.), Oxford: Oxford University Press, 1986, pp. 248–290. (Scholar)
- Fowler, Gregory, 2013, “Against the Primary Sound Account of Echoes”, Analysis, 73(3): 466–473. doi:10.1093/analys/ant059 (Scholar)
- Galilei, Galileo, 1623 [1957], Il Saggiatore (The Assayer), Rome. Translated in Discoveries and Opinions of Galileo, Stillman Drake (trans.), New York: Anchor Books, 1957. (Scholar)
- Grimshaw, Mark and Tom Garner, 2015, Sonic Virtuality: Sound as Emergent Perception, New York: Oxford University Press. (Scholar)
- Hacker, P.M.S., 1987, Appearance and Reality: A Philosophical Investigation Into Perception and Perceptual Qualities, Oxford: Basil Blackwell. (Scholar)
- Heymans, Gerard, 1911 [1905], Einführung in die Metaphysik auf Grundlage der Erfahrung, Leipzig: Barth; 1st edition, 1905. (Scholar)
- Hobbes, Thomas, 1651 [1966], Leviathan, London. Reprinted in The English Works of Thomas Hobbes of Malmesbury, Aalen: Scientia Verlag. (Scholar)
- Ihde, Don, 1976, Listening and Voice: A Phenomenology of Sound, Athens, OH: Ohio University Press. Second edition, Albany, NY: SUNY Press, 2007. (Scholar)
- Kalderon, Mark Eli, 2017, Sympathy in Perception, Cambridge: Cambridge University Press. doi:10.1017/9781108303668 (Scholar)
- Kubovy, Michael and Michael Schutz, 2010, “Audio-Visual Objects”, Review of Philosophy and Psychology, 1(1): 41–61. doi:10.1007/s13164-009-0004-5 (Scholar)
- Kulvicki, John, 2008, “The Nature of Noise”, Philosopher’s Imprint, 8(011): 1–16. [Kulvicki 2008 available online] (Scholar)
- –––, 2014, “Sound Stimulants”, in Perception and Its Modalities, Dustin Stokes, Mohan Matthen, and Stephen Biggs (eds.), New York: Oxford University Press, 205–221. doi:10.1093/acprof:oso/9780199832798.003.0009 (Scholar)
- –––, 2017, “Auditory Perspectives”, in Current Controversies in Philosophy of Perception, Bence Nanay (ed.), Oxford: Routledge, Taylor and Francis, 83–94. (Scholar)
- Leddington, Jason P., 2014, “What We Hear”, in Consciousness Inside and Out: Phenomenology, Neuroscience, and the Nature of Experience, Richard Brown (ed.), Dordrecht: Springer Netherlands, 321–334. doi:10.1007/978-94-007-6001-1_21 (Scholar)
- –––, 2019, “Sounds Fully Simplified”, Analysis, 79(4): 621–629. doi:10.1093/analys/any075 (Scholar)
- Lotze, Hernann, 1841 [1884], Metaphysik, Leipzig: Hirzel. Translated as Metaphysics, in three books: Ontology, Cosmology, and Psychology, Bernard Bosanquet (ed.), Oxford: Clarendon Press, 1884. (Scholar)
- Maclachlan, D.L.C, 1989, Philosophy of Perception, Englewood Cliffs, NJ: Prentice Hall. (Scholar)
- Malpas, R.M.P., 1965, “The Location of Sound”, in Butler 1965: 131–144. (Scholar)
- Martin, M. G. F., 2012, “Sounds and Images”, The British Journal of Aesthetics, 52(4): 331–351. doi:10.1093/aesthj/ays036 (Scholar)
- Matthen, Mohan, 2010, “On the Diversity of Auditory Objects”, Review of Philosophy and Psychology, 1(1): 63–89. doi:10.1007/s13164-009-0018-z (Scholar)
- Meadows, P. J., 2018, “In Defense of Medial Theories of Sound”, American Philosophical Quarterly, 55(3): 293–302. (Scholar)
- Moravcsik, Julius M.E., 1965, “Strawson and Ontological Priority”, in Butler 1965: 106–119. (Scholar)
- Nagel, Thomas, 1965, “Physicalism”, The Philosophical Review, 74(3): 339–356. doi:10.2307/2183358 (Scholar)
- Nudds, Matthew, 2001, “Experiencing the Production of Sounds”, European Journal of Philosophy, 9(2): 210–229. doi:10.1111/1468-0378.00136 (Scholar)
- –––, 2009, “Sounds and Space”, in Nudds and O’Callaghan 2009: 69–96. (Scholar)
- –––, 2010a, “What Sounds Are”, in Zimmerman 2010: 279–302. (Scholar)
- –––, 2010b, “What Are Auditory Objects?”, Review of Philosophy and Psychology, 1(1): 105–122. doi:10.1007/s13164-009-0003-6 (Scholar)
- –––, 2018, “The Unitary Nature of Sound”, in Crowther and Mac Cumhaill 2018: 51–66. (Scholar)
- Nudds, Matthew and Casey O’Callaghan (eds.), 2009, Sounds and Perception: New Philosophical Essays, Oxford: Oxford University Press. doi:10.1093/acprof:oso/9780199282968.001.0001 (Scholar)
- O’Callaghan, Casey, 2002, Sounds, Ph.D. Thesis, Princeton, NJ: Princeton University. (Scholar)
- –––, 2007, Sounds: A Philosophical Theory, New York: Oxford University Press. doi:10.1093/acprof:oso/9780199215928.001.0001 (Scholar)
- –––, 2008, “Object Perception: Vision and Audition”, Philosophy Compass, 3(4): 803–829. doi:10.1111/j.1747-9991.2008.00145.x (Scholar)
- –––, 2009, “Sounds and Events”, in Nudds and O’Callaghan 2009: 26–49. (Scholar)
- –––, 2010a, “Constructing a Theory of Sounds”, in Zimmerman 2010: 247–270. (Scholar)
- –––, 2010b, “Perceiving the Locations of Sounds”, Review of Philosophy and Psychology, 1(1): 123–140. doi:10.1007/s13164-009-0001-8 (Scholar)
- –––, 2011a, “Hearing Properties, Effects or Parts?”, Proceedings of the Aristotelian Society, 111(3): 375–405. doi:10.1111/j.1467-9264.2011.00315.x (Scholar)
- –––, 2011b, “Lessons from beyond Vision (Sounds and Audition)”, Philosophical Studies, 153(1): 143–160. doi:10.1007/s11098-010-9652-7 (Scholar)
- –––, 2011c, “Against Hearing Meanings”, The Philosophical Quarterly, 61(245): 783–807. doi:10.1111/j.1467-9213.2011.704.x (Scholar)
- O’Shaughnessy, Brian, 1957, “The Location of Sound”, Mind, 66(264): 471–490. doi:10.1093/mind/lxvi.264.471 (Scholar)
- –––, 2000, Consciousness and the World, Oxford: Clarendon Press. doi:10.1093/0199256721.001.0001 (Scholar)
- –––, 2009, “The location of perceived sound”, in Nudds and O’Callaghan 2009: 97–110. (Scholar)
- Pasnau, Robert, 1999, “What Is Sound?”, The Philosophical Quarterly, 49(196): 309–324. doi:10.1111/1467-9213.00144 (Scholar)
- –––, 2000, “Sensible Qualities: The Case of Sound”, Journal of the History of Philosophy, 38(1): 27–40. doi:10.1353/hph.2005.0100 (Scholar)
- –––, 2009, “The Event of Color”, Philosophical Studies, 142(3): 353–369. doi:10.1007/s11098-007-9191-z (Scholar)
- Perkins, Moreland, 1983, Sensing the World, Indianapolis, IN: Hackett. (Scholar)
- Révész, G., 1946, Einführung in die Musikpsychologie, Bern: Francke. (Scholar)
- Roden, David, 2010, “Sonic Art and the Nature of Sonic Events”, Review of Philosophy and Psychology, 1(1): 141–156. doi:10.1007/s13164-009-0002-7 (Scholar)
- Roberts, Pendaran, 2017, “Turning up the Volume on the Property View of Sound”, Inquiry, 60(4): 337–357. doi:10.1080/0020174x.2016.1159979 (Scholar)
- Sacks, Oliver, 2008. Musicophilia: Tales of Music and the Brain, New York: Vintage. (Scholar)
- Schnupp, Jan, Israel Nelken, and Andrew King, 2011, Auditory Neuroscience: Making Sense of Sound, Cambridge, MA: MIT Press. (Scholar)
- Scruton, Roger, 1997, The Aesthetics of Music, Oxford: Clarendon Press. doi:10.1093/019816727x.001.0001 (Scholar)
- –––, 2009a, Understanding Music. Philosophy and Interpretation, London: Continuum. (Scholar)
- –––, 2009b, “Sounds as Secondary Objects and Pure Events”, in Nudds and O’Callaghan 2009: 50–68. (Scholar)
- –––, 2010, “Hearing Sounds”, in Zimmerman 2010: 271–278. (Scholar)
- Sorensen, Roy, 2008, Seeing Dark Things: The Philosophy of Shadows, Oxford: Oxford University Press. doi:10.1093/acprof:oso/9780195326574.001.0001 (Scholar)
- Soteriou, Matthew, 2018, “Sound and Illusion”, in Crowther and Mac Cumhaill 2018: 32–49. (Scholar)
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- –––, 1980, “Reply to Evans”, in Van Straaten 1980: 273–282. (Scholar)
- Stumpf, Carl, 1883–1890, Tonpsychologie, Leipzig: Hirzel. (Scholar)
- Urmson, J.O., 1968, “The Objects of the Five Senses”, Proceedings of the British Academy, 54: 117–31. (Scholar)
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- Wellek, A., 1934, “Der Raum in der Musik”, Archiv für die gesamte Psychologie, 91: 395–443. (Scholar)
- Young, Nick, 2017, “Hearing Spaces”, Australasian Journal of Philosophy, 95(2): 242–255. doi:10.1080/00048402.2016.1164202 (Scholar)
- Zimmerman, Dean, 2010, Oxford Studies in Metaphysics, Volume 5, Oxford: Oxford University Press. (Scholar)
