This paper explores the state of teacher training in philosophy graduate programs in the English-speaking world. Do philosophy graduate programs offer training regarding teaching? If so, what is the nature of the training that is offered? Who offers it? How valuable is it? We conclude that philosophers want more and better teaching training, and that collectively we know how to deliver and support it.

This lecture from 1946 presents Eugen Fink’s interpretation of Nietzsche’s metaphysics. Fink’s aim here is twofold: to work against the trend of psychologistic interpretations of Nietzsche’s work and to perform the philosophical interpretation of Nietzsche he finds lacking in his predecessors. Fink contends that play is the central intuition of Nietzsche’s philosophy, specifically in his rejection of Western metaphysics’ insistence on being and presence. Drawing instead from Heraclitus, Nietzsche argues for an ontology of becoming characterized by the Dionysian as the (...) temporalization of time and the Apollonian as temporalized in time. The play of becoming is thus the cosmic coming to be and passing away of appearance. Playing, as the creative projection of such a play-world of appearing and concealing, is central to understanding the Nietzschean theme of the will to power as the revaluation of values. (shrink)

Central to Eugen Fink's distinctive understanding of the context of ethical engagement is his way of thinking about being in the world. From Fink's perspective we can see that Western metaphysics, and contemporary philosophical ethics, has forgotten the world. In its attempt to achieve objectivity, metaphysics has sought a vantage point that could be a view from nowhere. If the world is remembered, it is misconstrued to be a mere frame or container for objects and experiences. This has led to (...) a conception of the ethical subject as a rational, autonomous individual who merely happens to be in the world. In failing to consider the meaning of being in the world, philosophy has rendered ethics nihilistic. Fink seeks .. (shrink)

This lecture from 1946 presents Eugen Fink’s interpretation of Nietzsche’s metaphysics. Fink’s aim here is twofold: to work against the trend of psychologistic interpretations of Nietzsche’s work and to perform the philosophical interpretation of Nietzsche he finds lacking in his predecessors. Fink contends that play is the central intuition of Nietzsche’s philosophy, specifically in his rejection of Western metaphysics’ insistence on being and presence. Drawing instead from Heraclitus, Nietzsche argues for an ontology of becoming characterized by the Dionysian as the (...) temporalization of time and the Apollonian as temporalized in time. The play of becoming is thus the cosmic coming to be and passing away of appearance. Playing, as the creative projection of such a play-world of appearing and concealing, is central to understanding the Nietzschean theme of the will to power as the revaluation of values. (shrink)

A Hermeneutics of Poetic Education: The Play of the In-Between provides an account of poetic education as an alternative to aesthetic education. Drawing on philosophical hermeneutics and philosophy of play, Homan argues that rather than the cultivation of taste, education is the cultivation of formation and a learning to listen.

The question permeating much of Eugen Fink’s work is whether a nonmetaphysical thinking of the world is possible. Fink views metaphysics as understanding the world merely from the side of beings and as a container of things. A nonmetaphysical thinking would be cosmological; it would think the world as a totality, as the origin of being, of beings, of time, and of space. This thinking requires a radical way of thinking that which cannot be thought: the nothing that allows being (...) and beings to come to appearance at all. My analysis aims to articulate more clearly what Fink means by thinking cosmologically by tracing his understanding of world, earth, and cosmos and the interplay of being and nothing at stake in each. I clarify how Fink both inherits and goes beyond the philosophies of Kant, Husserl, and Heidegger to provide a way of thinking through that which resists articulation. (shrink)

The question permeating much of Eugen Fink’s work is whether a nonmetaphysical thinking of the world is possible. Fink views metaphysics as understanding the world merely from the side of beings and as a container of things. A nonmetaphysical thinking would be cosmological; it would think the world as a totality, as the origin of being, of beings, of time, and of space. This thinking requires a radical way of thinking that which cannot be thought: the nothing that allows being (...) and beings to come to appearance at all. My analysis aims to articulate more clearly what Fink means by thinking cosmologically by tracing his understanding of world, earth, and cosmos and the interplay of being and nothing at stake in each. I clarify how Fink both inherits and goes beyond the philosophies of Kant, Husserl, and Heidegger to provide a way of thinking through that which resists articulation. (shrink)