Abstract
The consensus is that the novel—along with painting, sculpture, and architecture—should be categorized as a non-performing art. In this essay, I argue that such categorization is misguided: In fact, there is good reason to categorize the novel as a performing art. I begin by showing that x is a performing art if the following conditions are satisfied: (a) x is an art and (b) to fully appreciate a work of x, it is necessary to experientially engage with a performance or a performance-like object. I then demonstrate that in the case of the novel, these conditions are actually satisfied.
Similar content being viewed by others
Data Availability
Not applicable
Notes
A performance-like object is, roughly, whatever (a) is not a performance but (b) manifests all the relevant properties manifested by a performance. For a detailed characterization of the notion of a performance-like object, see Section 3.
For a detailed account of the notion of a performing art, see Section 3.
Besides Kivy (2006, 2010)’s, just one argument in favour of treating the novel as a performing art can be found in the literature—the argument by Urmson (2004). Since, in my view, this argument is considerably weaker than Kivy (2006, 2010)’s and also due to lack of space, I do not discuss it here. The reader can find a detailed critique of this argument in Aliyev (2018).
See, e.g., Petkov and Berlin (2013).
For a possible argument in favor of the claim that this intention is necessary for an artistic performance, see Davies (2011, 4–7).
Primary properties are properties through which the primary content—that is, the set of “those contentful properties that may be the ground of other contentful properties but which are not themselves grounded in contentful properties” (Davies 2010, 411)—of the work is articulated.
References
Aliyev, A. (2018). Novels and their instances: A metaphysical exploration. Ph.D. dissertation. University of Maryland, College Park.
Aristotle. (2010). Rhetoric. Cosimo, Inc.
Beardsley, M. (1983). An aesthetic definition of art. In H. Curtler (Ed.), What is art? Haven Publications.
Davies, D. (2010). Multiple instances and multiple ‘instances’. British Journal of Aesthetics, 50, 411–426.
Davies, D. (2011). Philosophy of the performing arts. Wiley-Blackwell.
Feagin, S. L. (2008). Critical study: reading and performing. British Journal of Aesthetics, 48, 89–97.
Godlovitch, S. (1998). Musical performance: A philosophical study. Routledge.
Hicks, J. (2009). ‘Fire, fire, fire flowing like a river, river, river’: A history and postmodernism in Truman Capote’s Handcarved Coffins. In H. Bloom (Ed.), Truman Capote. Infobase Publishing.
Kivy, P. (2006). The performance of reading: An essay in the philosophy of literature. Blackwell Publishing.
Kivy, P. (2010). The experience of reading. In G. Hagberg & W. Jost (Eds.), A companion to the philosophy of literature. Wiley-Blackwell.
Kowalewski, M. (1993). Deadly musings: Violence and verbal form in American fiction. Princeton University Press.
Levinson, J. (2006). Contemplating art: Essays in aesthetics. Oxford University Press.
Lewis, R. (1985). Money, love, and aspiration in the great Gatsby. In M. J. Bruccoli (Ed.), New essays on the great Gatsby. Cambridge University Press.
Llosa, M. V. (1987). The perpetual orgy: Flaubert and Madame Bovary. Farrar, Straus and Giroux.
Petkov, C. I., & Berlin, P. (2013). Silent Reading: does the brain ‘hear’ both speech and voices? Current Biology, 23, R155–R156.
Stevenson, R. L. (2011). The art of writing. Indo-European Publishing.
Swinnerton, F. (1915). R. L. Stevenson. Mitchell Kennerley.
Urmson, J. O. (2004). Literature. In E. John & D. Lopes (Eds.), Philosophy of literature: Contemporary and classic readings. Blackwell Publishing.
Zangwill, N. (1995). The creative theory of art. American Philosophical Quarterly, 32, 307–323.
Acknowledgements
Thanks to Jerrold Levinson, James Hamilton, and Daniel Wilson for a number of excellent suggestions that have led to substantial improvements.
Author information
Authors and Affiliations
Corresponding author
Ethics declarations
Conflicts of Interest/Competing Interests
Not applicable.
Code Availability
Not applicable.
Additional information
Publisher’s Note
Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.
Rights and permissions
About this article
Cite this article
Aliyev, A. The Novel as a Performing Art. Philosophia 49, 941–955 (2021). https://doi.org/10.1007/s11406-020-00277-4
Received:
Accepted:
Published:
Issue Date:
DOI: https://doi.org/10.1007/s11406-020-00277-4