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Licensed Unlicensed Requires Authentication Published by De Gruyter Mouton October 2, 2009

Archetypes, constants, and universal paradigms in prehistoric art

  • EMMANUEL ANATI
From the journal Semiotica
https://doi.org/10.1515/semi.1994.100.2-4.125
Published Online: 2009-10-02
Published in Print: 1994

Walter de Gruyter

From the journal
Semiotica
Semiotica
Volume 100 Issue 2-4
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Journal and Issue

Articles in the same Issue

Titelei
Sonstiges
Introduction: A challenge for semiotics
Max Raphael (1889–1952): A pioneer of the semiotic approach to palaeoiithic art
Archetypes, constants, and universal paradigms in prehistoric art
On the scientific study of palaeoart
Facts or fantasy? The rock paintings of the Brandberg, Namibia, and a concept of textualization for purposes of data processing
Semantic architecture and the interpretation of prehistoric rock art: An ethno-(pre-)historical approach
Prolegomena to the semiotic analysis of prehistoric visual displays
Syntax and geometrism in prehistoric art
Art or script? A falsifiable semiotic hypothesis
Blueprints for a visual database of petroglyphs
Understanding prehistoric images in the post-historic age: A cognitive project
Petroglyphs in and out of perspective
Contents/Sommaire Volume 100 (1994)
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