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Licensed Unlicensed Requires Authentication Published by De Gruyter Mouton 1995

Reconstructing Cultures on Film

From the book Principles of Visual Anthropology

  • ASEN BALIKCI
https://doi.org/10.1515/9783110290691.181
From the book
Principles of Visual Anthropology
Principles of Visual Anthropology

Chapters in this book (37)

Frontmatter
Preface
Foreword
Table of Contents
Introduction
Visual Anthropology in a Discipline of Words
Ethnographic Filming and the Cinema
The History of Ethnographic Film
Feature Films as Cultural Documents
McCarty’s Law and How to Break It
Some Recent Approaches to Anthropological Film
The Camera and Man
Observational Cinema
Beyond Observational Cinema
Idea and Event in Urban Film
Research Filming of Naturally Occurring Phenomena: Basic Strategies
Visual Anthropology and the Past
Ethnographic Film and History
Reconstructing Cultures on Film
The Role of Film in Archaeology
Ethnographie Photography in Anthropological Research
Our Totemic Ancestors and Crazed Masters
Some Specialized Uses of Film and Videotape
Photography and Visual Anthropology
Videotape: New Techniques of Observation and Analysis in Anthropology
Filming Body Behavior
Audiovisual Tools for the Analysis of Culture Style
Film in Ethnographic Research
The Presentation of Anthropological Information
Ethnographies on the Airwaves: The Presentation of Anthropology on American, British, Belgian and Japanese Television
The First Videotheque
Funding Ethnographic Film and Video Productions in America
Ethnographic Filmmaking for Japanese Television
Matters of Fact
The Future of Visual Anthropology
The Tribal Terror of Self-Awareness
Visual Records, Human Knowledge, and the Future
Conclusion: Ethnographic Filming and Anthropological Theory
Appendices
Resolution on Visual Anthropology
Note on Filmography
Biographical Notes
Index of Films
Index of Names
Index of Subjects
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