Change language
English Deutsch
Change currency
€ EUR £ GBP $ USD
Licensed Unlicensed Requires Authentication Published by De Gruyter Mouton March 17, 2011

Introduction

  • Rocco Capozzi EMAIL logo
From the journal Semiotica
https://doi.org/10.1515/semi.2011.001
Published Online: 2011-03-17
Published in Print: 2011-February

© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/New York

From the journal
Semiotica
Semiotica
Volume 2011 Issue 183
Submit manuscript

Journal and Issue

Articles in the same Issue

Introduction
Post-modernism, post-structuralism, post-semiotics? Sign theory at the fin de siècle
Postmodernity as the unmasking of objectivity: Identifying the positive essence of postmodernity as a distinct new era in the history of philosophy
Signs of the times: Mind, evolution, and the twilight of postmodernity
Conformity and resistance as cultural process in postmodern globalizing times
Tourism as a postmodern semiotic activity
Socio-semiotics and the new mega spaces of tourism: Some comments on Las Vegas and Dubai
Subjectivism, postmodernism, and social space
The laboring birth of doors
Self-referential postmodernity
Semiotics of art, life, and thought: Three scenarios for (post)modernity
Semiotic approaches to advertising texts and strategies: Narrative, passion, marketing
Return of the referent: Italian cinema for the new millennium
The postmodern in music
Strauss's Capriccio and the terror of time
Nusrat Fateh Ali Khan: the strange destiny of a singing mystic. When music travels . . .
Postmodern (applied) linguistics
Bi-paradigmatic irony as a postmodern sign
Downloaded on 23.5.2024 from https://www.degruyter.com/document/doi/10.1515/semi.2011.001/html
Scroll to top button