Abstract
When someone close to us dies, we usually say that we are with them ‘in our thoughts’ or that they remain alive in our minds. The film Vital (Shinya Tsukamoto, Japan, 2004) challenges this disembodied view of grief by posing the following question: what would grief be like if we could keep the dead with us not only in our memories, but materially? The film provides an intriguing answer to this question, provided through a unique setting, that of a medical school dissection class. Despite the macabre setting, Tsukamoto’s aim is not to shock but to offer an intense meditation on the embodied nature of mourning.2
Until you remember you cannot forget. (Greg Tuck) 1
‘haptic’ is a better word than ‘tactile’ since it does not establish an opposition between two sense organs but rather invites the assumption that the eye itself may fulfil this nonoptical function. (Deleuze and Guattari, A Thousand Plateaus, p.492)
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References
Carel H., 2007. ‘Mourning Terminable and Interminable’. International Journal of Psychoanalysis 88(4):1071–82.
Deleuze, G. & Guattari F., 1988. A Thousand Plateaus. London: Continuum.
Merleau-Ponty M., 1962 [1945]. Phenomenology of Perception. Trans. C. Smith. New York and London: Routledge.
Mes T., 2005. Iron Man: The Cinema of Shinya Tsukamoto. Godalming: FAB Press.
Paterson M., 2009. ‘Haptic Geographies: Ethnography, Haptic Knowledges and Sensuous Dispositions’. Progress in Human Geography 33(6):766–88.
Tuck G., 2007. Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya’s Rokugatsu no Hebi — A Snake of June (2003). Film Studies 11:49–60.
Filmography
The Diving Bell and the Butterfly (Julian Schnabel, France, 2007).
Psycho (Alfred Hitchcock, US, 1960).
A Snake of June (Shinya Tsukamoto, Japan, 2002).
Tetsuo (Shinya Tsukamoto, Japan, 1989).
The Texas Chainsaw Massacre (Tobe Hooper, US, 1974).
Todo sobre mi Madre (Pedro Almodovar, Spain/France, 1999).
Tokyo Fist (Shinya Tsukamoto, Japan, 1989).
Vital (Shinya Tsukamoto, Japan, 2004).
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© 2011 Havi Carel
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Carel, H. (2011). In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto’s Vital. In: Carel, H., Tuck, G. (eds) New Takes in Film-Philosophy. Palgrave Macmillan, London. https://doi.org/10.1057/9780230294851_15
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DOI: https://doi.org/10.1057/9780230294851_15
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