Abstract
Contemporary smelly artworks, installations and “scent sculptures” endorse philosophical and anthropological theories about the construction of identity as a relation to oneself and the others through consciousness and memory (John Locke), as a multi-staged process of social exchange (George H. Mead), as a game of risk and trust in making one’s own identity (Anthony Giddens), and as a dialectics of agency and passivity (Gernot Böhme). It is well-known that topophilic emplacement contributes to identity; olfactory site-specific installations and practices “present” specific smellscapes and reflect on their changes. Also olfactory artists who produce uncanny atmospheres recall that personal identity is built along the axes of trust and anxiety. Body odors in general are corporeal signatures that enable individual recognition, yet artists extract them in order to challenge taboos, question gender stereotypes and build open identities. The crucial role of odors for both self-acceptance and non-verbal communication makes artists use them as a means of fostering a new sense of solidarity on a local as well as on a global level. Finally, other artistic projects subvert the anthropological difference and rehabilitate other species’ olfactory sensitivity. With the aid of modern technology, they promise to fulfil old dreams about enlarging the spectrum of our nose and controlling incoming odors and body emissions. Thus, in a paradoxical way, they both advocate to return to the prehuman and urge to become posthuman.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Notes
- 1.
- 2.
“Mediale Seinsweise” (Böhme 2012, p. 17). Böhme’s examples – “mir tut etwas weh”, “mir ist kalt”, “mich geht etwas an”, “mir fällt etwas ein” are partly difficult to translate into English without using the active voice (“I have an ache”, “I am cold”, “I am concerned”, yet “it comes to my mind”).
- 3.
“Sich etwas einfallen lassen” and “sich auf etwas einlassen” (Böhme 2012, p. 17).
- 4.
- 5.
- 6.
- 7.
- 8.
- 9.
- 10.
- 11.
- 12.
See Soares’ “Bee’s Project” (2007–2009), http://www.susanasoares.com/index.php?id=52.
- 13.
- 14.
- 15.
- 16.
https://www.oswaldomacia.com/1-woodchurch-road-london-nw6-3pl. Initially, this work was presented at the Masters final exhibition at Goldsmiths College. In the meantime Maciá received the Art and Olfaction Award 2018.
- 17.
- 18.
References
Avery, Gilbert. 2009. Portrait of the Artist: Gayil Nalls. First Nerve. Taking a Scientific Sniff at the Culture of Smell. 4.04.2009. https://web.archive.org/web/20110711004152/http://firstnerve.com/2009/04/portrait-of-artist-gayil-nalls.html. [8.08.2020].
Böhme, Gernot. 2012. Ich-Selbst. Über die Formation des Subjekts. München: Fink.
Classen, Constance, David Howes, and Anthony Synnett. 1994. Aroma. The Cultural History of Smell. London: Routledge.
Corbin, Alain. 1982. Le miasme et la jonquille. L’odorat et l’imaginaire social, XVIIIe–XIXe siècles. Paris: Aubier-Montaigne.
Croy, Ilona, Theresa Mohr, Kerstin Weidner, Thomas Hummel, and Juliane Junge-Hoffmeister. 2019. Mother-child bonding is associated with the maternal perception of the child’s body odor. Physiology & Behavior 198: 151–157.
Diaconu, Madalina. 2005. Tasten, Riechen, Schmecken. Eine Ästhetik der anästhesierten Sinne. Würzburg: Königshausen & Neumann.
———. 2012. Sinnesraum Stadt. Eine multisensorische Anthropologie. Berlin/Vienna: Lit.
———. 2016. Charting Smellscapes. In Engaged Urbanism. Cities & Methodologies, ed. Ben Campkin and Ger Duijzings, 205–210. London/New York: Tauris.
Drobnick, Jim. 2002. Clara Ursitti: Scents of a Woman. Tessera 32: 85–87. http://openresearch.ocadu.ca/id/eprint/1841/. The Scents of a Woman. [7.08.2020].
Ehrenfeld, David W. 1981. The Arrogance of Humanism. Oxford: Oxford University Press.
Feuer-Cotter, Julia. 2018. Smellscape Narratives: Designing Olfactory Spaces as Infrastructure for Embodied Storytelling. In Designing with Smells. Practices, Techniques and Challenges, ed. Victoria Henshaw et al., 57–66. New York/London: Routledge.
Gertenbach, Lars, Laux Henning, Hartmut Rosa, and David Strecker. 2010. Theorien der Gemeinschaft zur Einführung. Hamburg: Junius.
Giddens, Anthony. 1991. Modernity and Self-Identity. Self and Society in the Late Modern Age. Cambridge: Polity Press.
Harvey, Susan Ashbrook. 2006. Scenting Salvation. Ancient Christianity and the Olfactory Imagination. Berkeley/Los Angeles/London: University of California Press.
Johnston, Robert E. 2008. Individual Odors and Social Communication: Individual Recognition, Kin Recognition, and Scent Over-Making. Advances in the Study of Behavior 38: 439–505. Elsevier Science & Technology.
Jones, Victoria J.E. 2018. Smell the City: A Participatory Art Installation. In Designing with Smells. Practices, Techniques and Challenges, ed. Victoria Henshaw et al., 9–18. New York/London: Routledge.
Kant, Immanuel. 1968. Kants Werke. Akademie-Textausgabe. Bd. VII. Der Streit der Fakultäten. Anthropologie in pragmatischer Hinsicht. Berlin: Walter de Gruyter & Co.
Locke, John. 2015. Essay on Human Understanding. Wordsworth Editions [online].
Mead, George H. 1934. Mind, Self and Society from the Standpoint of a Social Behaviorist. Chicago: The University of Chicago Press.
Melendez, Franklin. 2006. A World Apart. The provocative art of Mexico City. Soma vol. 20.4. http://www.somamagazine.com/a-world-apart/. [7.08.2020].
Phillips, Katharine A., and William Menard. 2011. Olfactory Reference Syndrome: Demographic and Clinical Features of Imagined Body Odor. General Hospital Psychiatry 33: 398–406.
Reinarz, Jonathan. 2014. Past Scents: Historical Perspectives on Smell. Urbana: University of Illinois Press.
Stenslund, Anette. 2015. A Whiff of Nothing: Presence of Absent Smells – Hospital. The Senses and Society 10 (3): 341–360.
Tellenbach, Hubert. 1968. Geschmack und Atmosphäre. Medien menschlichen Elementarkontaktes. Salzburg: Otto Müller.
Tuan, Yi-Fu. 1974. Topophilia: A Study of Environmental Perception, Attitudes, and Values. Englewood Cliffs: Prentice-Hall.
Xiao, Jileing, Malcolm Tait, and Jian Kang. 2018. The Design of Urban Smellscapes with Fragrant Plants and Water Features. In Designing with Smells. Practices, Techniques and Challenges, ed. Victoria Henshaw et al., 83–95. New York/London: Routledge.
Artists’ Homepages
Auger, James, and Jimmy Loizeau. www.auger-loizeau.com. [7.08.2020].
Goeltzenleuchter, Brian. https://www.bgprojects.com/. [7.08.2020].
Maciá, Oswaldo. https://www.oswaldomacia.com/. [8.08.2020].
McRae, Lucy. https://www.lucymcrae.net/. [7.08.2020].
Nalls, Gayil. www.gayilnalls.com. [8.08.2020].
Soares, Susana. www.susanasoares.com. [7.08.2020].
Ueda, Maki. www.ueda.nl. [7.08.2020].
Ursitti, Clara. www.claraursitti.com. [7.08.2020].
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Diaconu, M. (2022). Being and Making the Olfactory Self. Lessons from Contemporary Artistic Practices. In: Di Stefano, N., Russo, M.T. (eds) Olfaction: An Interdisciplinary Perspective from Philosophy to Life Sciences. Human Perspectives in Health Sciences and Technology, vol 4. Springer, Cham. https://doi.org/10.1007/978-3-030-75205-7_4
Download citation
DOI: https://doi.org/10.1007/978-3-030-75205-7_4
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-030-75204-0
Online ISBN: 978-3-030-75205-7
eBook Packages: Religion and PhilosophyPhilosophy and Religion (R0)