Abstract
Arthur Bispo do Rosário created separate realities inspired by the objects of his surroundings. He intended to summon up everything and report to God. The objects he found or got from other inmates were waste of the Juliano Moreira Colony where he lived in seclusion because the lords of order categorised him as mentally ill. Bispo began by unravelling the uniforms of his seafaring days and Colony clothing and with the threads he wove maps and banners. He collected old shoes, empty milk bags, gears, tools, toys, cutlery, bottles, mugs to shape into powerful amalgams of odd aesthetic narrative. As pieces of the Colony waste were given to Bispo by other inmates and as he turned the scraps into art, his creative strength was offered to the hospital’s population and now to museums and art galleries. The observation of this cycle of stunning wonder between Bispo and his fellow inmates suggests the view of unravelling second-order cybernetic processes. Simple things of the world turned into art got new significance in the eyes of the observers. Their poor world became thrilled in delight. As an inmate of a psychiatric ward in Rio de Janeiro, he never stopped his intense and endless work building an inventory of embroidery, assemblages and objects deemed to present the Lord. His work captured the aesthetic sensibility of the Colony population who started viewing the common things of the world redeemed by Bispo as sacred uncaged tokens with divine destination. A virtuous unending cycle of human sensibility and creativity. As observers, we make the distinction of evolving processes in the realm of second-order cybernetics.
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Catalogues of the following Bispo's exhibitions convey deep art criticism views: Group exhibition: 1982 - Rio de Janeiro RJ - À Margem da Vida, MAM/RJ. Posthumous exhibitions: 1989 - Rio de Janeiro RJ - Registros de Minha Passagem pela Terra, EAV/Parque Lage, 1990 - Belo Horizonte MG - Registros de Minha Passagem pela Terra, Museu de Arte da Pampulha, 1990 - Porto Alegre RS - Registros de Minha Passagem pela Terra, Museu de Arte do Rio Grande do Sul Ado Malagoli, 1990 - São Paulo SP - Registros de Minha Passagem pela Terra, MAC/USP, 1991 - Estocolmo (Suécia) - Viva Brasil Viva, Kulturhuset, Konstavdelningen och Liljevalchs Konsthall – special room, 1992 - Rio de Janeiro RJ - Reciclo, Fundação Nacional de Arte. Centro de Artes, 1992 - Rio de Janeiro RJ - Transformando e Recriando os Restos: o lixo passado a limpo, Paço Imperial, 1993 - Rio de Janeiro RJ - Arthur Bispo do Rosario: inventário do universo, MAM/RJ, 1994 - Rio de Janeiro RJ - Bispo do Rosário, Galeria Ibeu Copacabana, 1994 - Rio de Janeiro RJ - Bispo do Rosário, Galeria Ibeu Madureira, 1995 - Veneza (Itália) - 46ª Bienal de Veneza, 1996 - Rio de Janeiro RJ - O Navegante, MNBA, 1997 - Cidade do México (México) - Así Está la Cosa: instalación y arte objeto en America Latina, Centro Cultural, Arte Contemporáneo, 1998 - Brasília DF - Eu Preciso Destas Palavras. Escrita, CEF, 1999 - São Paulo SP - Cotidiano/Arte. Objeto Anos 90, Itaú Cultural, 1999 - São Paulo SP - Por que Duchamp?, Paço das Artes, 1999 - São Paulo SP - Transcendências: caixas do ser, Casa das Rosas, 1999 - Vitória ES - Eu Vim, na Universidade Federal. Galeria de Arte Espaço Universitário, 2000 - Rio de Janeiro RJ - Brasil + 500 Mostra do Redescobrimento. Imagens do Inconsciente, Paço Imperial, 2000 - Rio de Janeiro RJ - Brasilidades, Centro Cultural Light, 2000 - São Paulo SP - Brasil + 500 Mostra do Redescobrimento. Imagens do Inconsciente, Fundação Bienal, 2001 - Nova York (Estados Unidos) - Brazil: body and soul, Solomon R. Guggenheim Museum, 2002 - São Paulo SP - Ópera Aberta: celebração, Casa das Rosas, 2003 - Paris (França) - La Clé des Champs et Arthur Bispo do Rosario, Galerie Nationale du Jeu de Paume, 2003 - Rio de Janeiro RJ - Arte em Movimento, Espaço BNDES, 2003 - Rio de Janeiro RJ - Bandeiras do Brasil, Museu da República, 2003 - São Paulo SP - Ordenação e Vertigem, CCBB, 2004 - São Paulo SP - Brasileiro, Brasileiros, Museu Afro-Brasil
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Figueiredo, C.S. Arthur Bispo do Rosário: lunacy, art and second-order cybernetics. AI & Soc (2022). https://doi.org/10.1007/s00146-022-01593-x
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DOI: https://doi.org/10.1007/s00146-022-01593-x