Abstract
My aim in this paper is to sketch a picture of how we currently visualize human vs. artificial intelligence. I am going to analyze images depicting the transcendence of the human in recent movies, which I take to be significant for the contemporary conditio humana. I will examine how movies like Her (USA 2013, Spike Jonze) or Transcendence (USA 2014, Wally Pfister) invent and use images of human and artificial life. I will then analyze the images themselves, how they are connected and what underlying ontological assumptions can be found. My main focus will be on the concept of the body and figures of disembodied intelligence. I will argue that disembodied intelligence has become a central topos in contemporary cinema. I will show how these ideas relate to the presentation of technology as a highly complex and dynamic net-structure, comparable to the characteristics of the human brain.
© 2018 by Walter de Gruyter Berlin/Boston
