Abstract

As the new director of Esprit, Paul Thibaud finds himself in an enviable, yet difficult and complex situation. Nearly half a century's tradition is a mixed blessing. The journal can call on contributors whose horizons extend beyond the tenacles of Paris, to the provinces, Europe and the Third World. Its reputation assures it a farflung readership and influence as well. Tradition can, of course, easily become habit and govern expectations: that is the danger that Jean-Marie Domenach successfully confronted when he took over the directorship from Albert Benuin in 1957; and it is now Thibaud's problem in different social and political conditions.