Hume Studies

Hume Studies Volume XXVI, Number 1, April 2000, pp. 159-169 Hume and Matthew Prior's "Alma" CHRISTOPHER MACLACHLAN In 1987 M. A. Box identified the verse quotations in Hume's essays "Of Essay Writing" and "The Epicurean."1 It is therefore odd that in their edition of a selection of the essays, Stephen Copley and Andrew Edgar should state in a note to "Of Essay Writing" that "the source of this couplet has not been located . In his [1985] edition of the Essays Eugene Miller has suggested that it may belong to the same author or poem as the couplet quoted in 'The Epicurean'."2 Miller of course was quite right, for, as Box showed, both couplets come from Matthew Prior's poem "Alma: or, The Progress of the Mind," first published in 1718.3 The first couplet reads as follows in "Of Essay Writing": Stunn'd and worn out with endless chat, Of Will did this, and Nan did that? (Essays 1) The question mark is not in the original, but is required because Hume is using the quotation to end an interrogative sentence, and Hume has replaced "Nan said that" with "Nan did that," but otherwise these are clearly lines 524 and 525 of the third canto of "Alma" (p. 514). In "The Epicurean" appear these lines: What foolish figure must it make? Do nothing else but sleep and ake. (Essays 79) Christopher MacLachlan is at the School of English, University of St Andrews, St Andrews, Fife KY16 9AL, Scotland, e-mail: cjmm@st-andrews.ac.uk 160 Christopher MacLachlan The italics are not in the original, and the first line reads "A foolish figure He must make," but these are clearly lines 116 and 117 of the first canto of "Alma." Beyond these identifications Box's note does not go, except to point out a reference to the poem in Hume's Treatise. Hume is arguing that "shou'd an author compose a treatise, of which one part was serious and profound, another light and humorous, every one wou'd condemn so strange a mixture, and wou'd accuse him of the neglect of all rules of art and criticism," one of which he says "requires a consistency in every performance" since "the mind is incapable of passing in a moment from one passion and disposition to quite a different one." But he immediately adds: Yet this makes us not blame Mr. Prior for joining his Alma and his Solomon in the same volume; tho' that admirable poet has succeeded perfectly well in the gaiety of the one, as well as in the melancholy of the other . . . because [the reader] considers these performances as entirely different, and by this break in the ideas, breaks the progress of the affections. (T II ii 8)4 This is useful in confirming Hume's acquaintance with the poem. His use of its name, and the contrast with Prior's earlier work, "Solomon on the Vanity of the World,"5 suggests he also expected his readers to be familiar at least with the nature of both poems. Even in 1781, when Samuel Johnson opened the second volume of his Lives of the English Poets with his life of Prior, he could write as though Prior were still a well-known poet, though there are signs in Johnson's comments on the poems themselves that they were not as widely read as before. He does, however, single out "Alma" and "Solomon" for particular comment. Johnson's life of Prior may signal the beginning of the decay of his reputation from the relatively high regard in which he was held in the first part of the eighteenth century, when he could be ranked with Pope and Swift, to his present obscurity. But more striking than the fact that Hume shared a taste for Prior's verse is the prominence he gave to "Alma," and the implication that he knew this poem very well, for the couplets he quotes from it are not only from widely spaced parts of the poem (one just over a hundred lines from its beginning, and the other less than a hundred from its end),6 but they...