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Perspectives of music theory in Waldemar Conrad’s aesthetics

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References

  1. H. Besseler,Das musikalische Hören der Neuzeit, Akademie Verlag, Berlin, tr. by M. Giani,L’ascolto musicale nell’età moderna, Il Mulino, Bologna 1993.

  2. W. Conrad, “Der ästhetische Gegenstand. Eine phänomenologische Studie,”Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, III, 80–118 (“Der ästhetische Gegenstand der Musik”).

  3. E. Husserl,Logische Untersuchungen, II, Niemeyer, Halle, tr. by G. Piana,Ricerche logische, Il Saggiatore, Milano 1968.

  4. H. Riemann,Die Elemente der musikalischen Ästhetik, Spemann, Berlin und Stuttgart.

  5. H. Riemann, “Ideen zu einer ‘Lehre von der Tonvorstellungen,’”Jahrbuch der Musikbibliothek Peters, XXI–XXII, 1–26.

  6. H. Riemann, “Neue Beiträge zu einer Lehre von der Tonvorstellungen,”Jahrbuch der Musikbibliothek Peters, XXIII, 1–21.

  7. G. Scaramuzza,Le origini dell’estetica fenomenologica, Antenore, Padova.

  8. A. Serravezza,Musica e scienza nell’età del positivismo, Il Mulino, Bologna.

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Authors and Affiliations

  1. P.le C. Golgi, 1, I-25123, Brescia

    Augusto Mazzoni

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  1. Augusto Mazzoni
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Mazzoni, A. Perspectives of music theory in Waldemar Conrad’s aesthetics. Axiomathes 9, 223–233 (1998). https://doi.org/10.1007/BF02681714

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