McDonald, John. "The Aesthete as Revolutionary: Saving Art from Politics".
Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings, edited by Michael Lackner and Nikola Chardonnens, Berlin, Boston: De Gruyter, 2014, pp. 43-56.
https://doi.org/10.1515/9783110351873.43McDonald, J. (2014). The Aesthete as Revolutionary: Saving Art from Politics. In M. Lackner & N. Chardonnens (Ed.),
Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings (pp. 43-56). Berlin, Boston: De Gruyter.
https://doi.org/10.1515/9783110351873.43McDonald, J. 2014. The Aesthete as Revolutionary: Saving Art from Politics. In: Lackner, M. and Chardonnens, N. ed.
Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings. Berlin, Boston: De Gruyter, pp. 43-56.
https://doi.org/10.1515/9783110351873.43McDonald, John. "The Aesthete as Revolutionary: Saving Art from Politics" In
Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings edited by Michael Lackner and Nikola Chardonnens, 43-56. Berlin, Boston: De Gruyter, 2014.
https://doi.org/10.1515/9783110351873.43McDonald J. The Aesthete as Revolutionary: Saving Art from Politics. In: Lackner M, Chardonnens N (ed.)
Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings. Berlin, Boston: De Gruyter; 2014. p.43-56.
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