Introduction Theatrical semiosphere: Toward the semiotics of theatre today

Yana Meerzon

doi:10.1515/SEM.2008.001

Published by De Gruyter Mouton March 10, 2008

Introduction Theatrical semiosphere: Toward the semiotics of theatre today

Yana Meerzon
Her research interests include theory of drama and performance, theatre semiotics, theatre and exile, and Russian drama and theatre. Her recent publications include ‘Interpreting diaspora: From accented character to accented audience’ (2005); ‘Aesthetics of utopian performance: Michael Chekhov on sound, sign, and international theatre language’ (2005); ‘Every home is its own private Moscow: Between geopathology and nostalgia in Olga Mukhina's Ю/You’ (2005); and A Path of the Character: Michael Chekhov's Inspired Acting and Theatre Semiotics (2005).

From the journal Semiotica

https://doi.org/10.1515/SEM.2008.001

Showing a limited preview of this publication:

About the author

Yana Meerzon

Her research interests include theory of drama and performance, theatre semiotics, theatre and exile, and Russian drama and theatre. Her recent publications include ‘Interpreting diaspora: From accented character to accented audience’ (2005); ‘Aesthetics of utopian performance: Michael Chekhov on sound, sign, and international theatre language’ (2005); ‘Every home is its own private Moscow: Between geopathology and nostalgia in Olga Mukhina's Ю/You’ (2005); and A Path of the Character: Michael Chekhov's Inspired Acting and Theatre Semiotics (2005).

Published Online: 2008-03-10

Published in Print: 2008-01-01

Introduction Theatrical semiosphere: Toward the semiotics of theatre today

About the author

Journal and Issue

Articles in the same Issue