Notes
We are to be concerned specifically with Hospers' “truth about,” and not at all with his “truth to.” See hisMeaning and Truth in the Arts, pp. 163-65. We will presumably all agree without argument that pictures can be “true-to” all sorts of things in Hospers' sense. See his discussion, pp. 183ff.
This is closely related to a question discussed by Mrs. Langer in the fourth chapter of herPhilosophy in a New Key. See below.
And, of course, both may be ambiguous. The photographic “proposition” may admit of more than one interpretation—see the difficulty of interpreting aerial photographs in the military services—just as may the verbal proposition.
Philosophy in a New Key, p. 55.
Ibid., italics hers.
See also Nagel's review,Journal of Philosophy, June 10, 1943, p. 327.
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Morgan, D.N. On pictorial “truth”. Philos Stud 4, 17–24 (1953). https://doi.org/10.1007/BF02298116
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DOI: https://doi.org/10.1007/BF02298116