Destruction and Reconstruction in Cinematic Portrayals of Tokyo

Abstract

Since becoming the globe’s most populous city in the early eighteenth century, Tokyo has risen, collapsed and boomed again as no other metropolis. For 300 years spectacular bursts of growth occurred against a background of earthquakes, fires and floods, until in 1923 a horrific quake wiped it out. The bombing of the rebuilt city in 1945 was deadlier than the atomic attacks on Hiroshima or Nagasaki. Relative seismic and political stability after the war underpinned an economic miracle and transformed Tokyo into a global business and cultural icon, but the ‘lost decades’ that followed brought back socioeconomic uncertainty and undercurrents of anxiety. Manmade calamities, including a terrorist attack on the subway in 1995 and a nuclear leak in a neighboring prefecture in 1999, shook confidence in a city that normally enjoys high health and safety standards, while the massive earthquake and tsunami in Fukushima in 2011, just 240 km away, reminded inhabitants of the tectonic time bomb underneath them. Not surprisingly, physical, social and psychological fragility feature prominently in cinematic portrayals of Tokyo, with destruction and reconstruction of the cityscape and of the lives of those who inhabit it a common theme. Cinematic stories typically revolve around characters dwelling on the past, living cautiously for the moment or fearing the future. This paper explores how directors have incorporated physical destruction and socioeconomic devastation into their depictions of the city, focusing particularly on the use of images of the built environment.