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Licensed Unlicensed Requires Authentication Published by De Gruyter Mouton August 28, 2015

Why semiotics, why poetry?

  • Terry J. Prewitt EMAIL logo
From the journal Semiotica

Abstract

Giambattista Vico’s philosophy foresaw a very postmodern sense of language, first as the underlying logical capacity for what Peirce called the symbolic argument, and second as a communication system per se. And in our view, much of these higher sign processes, especially in the everyday symbol use of human communication, is based in metaphor, very much in Vico’s notion of the term. This essay explores the dynamics of sign ordinary process through poetry, referencing also Vico’s synthesis of understanding and creativity, and the connection of poetry to the earliest Western philosophies.

References

Abram, David. 1997.The spell of the sensuous: Perception and language in a more-than-human world. New York: Vintage.Search in Google Scholar

Danesi, Marcel. 1993. Vico, metaphor, and the origin of language. Bloomington, IN: Indiana University Press.Search in Google Scholar

Golding, William. 1955.The inheritors. London: Faber and Faber.Search in Google Scholar

Lévi-Strauss, Claude. 1955.Tristes tropiques. Paris: Librairie Plon.Search in Google Scholar

Vico, Giambattista. 1984 [1725]. The new science of Giambattista Vico, T. G. Bergin & M. H. Fisch (trans.). Ithaca: Cornell University Press.10.7591/9781501702990Search in Google Scholar

Published Online: 2015-8-28
Published in Print: 2015-10-1

©2015 by De Gruyter Mouton

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