Ares and Aphrodite: the song of Demodocus and its function in the Odyssey
Abstract
Odysseus benefits from his stay on the island of Scheria in two crucial ways. The Phaeacians’ willingness to escort him home secures his physical return to Ithaca. Furthermore, a song performed by the bard Demodocus featuring Odysseus’ quarrel with Achilles helps him regain his identity as one of the foremost Achaean heroes. The second song, the hilarious tale of Ares and Aphrodite, in which the gods erupt in the famous Homeric laughter, then reawakens his emotional capacity for joy and cheerfulness. Since this key function of the song does not appear to have been recognized up to now, it is at the center of the present article. Finally, the third song, in which Odysseus expects Demodocus to highlight his role as mastermind of the capture of Troy, instead draws attention to the horrible suffering of the Trojans and elicits uncontrollable tears on his part, thereby reconnecting him with the fundamental human emotions of compassion and pity. Taken as a whole, the narrative of Odysseus’ development during his stay among the Phaeacians appears to reflect an elaborate therapeutic concept, which is outlined in this article.
Keywords
adultery | cheerfulness | compassion | laughter | pity | tears | therapy
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