Abstract
By focusing on the Confucian ideal of forming one body with Heaven, Earth, and myriad things, I argue that the distinctive feature of Chinese cosmology is not the absence of cosmogonist concerns, but faith in the interconnectedness of all modalities of being as the result of the continuous creativity of the cosmic process.
Similar content being viewed by others
Reference
Analects. Trans. by D. C. Lau. London: Penguin Books. 1979.
Chan, Wing tsit (ed. and trans.) 1963. A Source Book of Chinese Philosophy. Princeton: Princeton University Press.
Kaufman, Gordon 2004. In the Beginning . . . Creativity. Minneapolis: Fortress Press. 1970.
Mencius. Trans. by D.C. Lau. London: Penguin Books, 1963.
Mote, Frederick W. 1971. Intellectual Foundations of China. New York: Alfred A. Knopf.
Sima, Qian 1994. The Grand Scriber’s Records, Volume I: The Basic Annals of Pre-Han China. Trans. by William Nienhauser. New York: Columbia University.
Tu, Wei-ming 1985. Confucian Thought: Selfhood as Creative Transformation. Albany: State University of New York Press.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
About this article
Cite this article
Weiming, T. Special Topic: Creativity in Christianity and Confucianism. Dao 6, 115–124 (2007). https://doi.org/10.1007/s11712-007-9006-0
Published:
Issue Date:
DOI: https://doi.org/10.1007/s11712-007-9006-0