Abstract

The original Piovani’s criticism approaches the origin of the subject and the object, through the socraticplatonic course of reason which is defined within the historicity of action of the reasoning subjects, passing through both Kant’s ethical structure and the rethinking of the conscious antihegelism critically revised by critical historicism. Piovani’s main theme is the restlessness of the contemporary man, faced by means of an original reflection which traces out a phenomenology of singularity in which history becomes privileged ground for the co-existence of individualities