Abstract

There appear to be only four troubadour songs which have not been edited at least diplomatically at one time or another. They were unknown until first discussed in 1935 by the Catalan musicologist Higini Anglès in his monumental treatise, La música a Catalunya. He described the sources, transcribed three of the four melodies with the first stanzas of the texts, and included photographs, which unfortunately are almost illegible. Despite his promise that the texts would soon be edited by a colleague, no edition ever appeared, and I propose now to publish this difficult and surprising material for the first time. I argue that all four songs are refrain songs, probably recorded directly from performance