Abstract

In this article, I intend to show how Thomas More's use of a seemingly obscure episode from Livy's Ab Urbe Condita in his Apology provides important insights into the major themes of the polemical project that was to consume his final years. More's adaptation of the episode situates him among other Renaissance luminaries who saw in it a means to explore how group dynamics affect individual judgement and shape common opinion. The adaptation also serves to provide thematic cohesion in a polemic long considered excessively excursive and without merit, literary or otherwise. This exploration will further shed light upon the ways in which Renaissance authors appropriated classical histories to address contemporary concerns.