On the Moral Neutrality of Bloodbending

In Helen De Cruz & Johan De Smedt (eds.), Avatar: The Last Airbender and Philosophy: Wisdom From Aang to Zuko. Wiley-Blackwell. pp. 71–78 (2022)
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Abstract

Bloodbending is sometimes referred to as the “puppetmaster technique” because it is the only bending art whose focus is on the direct manipulation and control of a target. Incarcerated in a maximum‐security prison designed specifically to hold waterbenders, Hama was powerless to resist her captors due to their restriction of any liquid that could be used to bend. The bending styles in Avatar: The Last Airbender draw their inspiration from real‐world Chinese martial arts. Karl Friday describes satsujinken in a more complicated way: “when a combatant uses force of will to overpower, immobilize, and strike down an opponent before he can react, this is called ‘setsunin‐to’”. It could be a perfect description of bloodbending as practiced by Hama: a use of already established and morally neutral techniques for the domination and overpowering of a person for egoistic aims.

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