Abstract

The article Intertextual deliberations on »The Blind« by Pieter Bruegel, Jacek Kaczmarski and Gert Hofmann indicates intellectual connections between the painting by Dutch master, the poem by Polish bard and the novel by German writer. The canvas by sixteenth century’s painter inspired creators of the 20th century to reflect on the surrounding world, the purpose and the meaning of human life whose fate is ruled by hubris, pride, hate, greed of dominance over other. Despite the immense power of evil – in the opinion of the writers – it is vital to attempt again and again to direct at cultivation of the elements constituting a good side of human nature which imparts human dimension to our existence. Through falling down, tripping, experiencing pain and suffering the blind rise and overcome personal and physical constraints. They let us believe that such deeds can be performed by everyone.