Abstract

The first part of this memoriam essay focuses on the author’s relationship with the famed Bajan intellectual George Lamming during his years at Brown University. The second part explores Lamming’s most famous work, In the Castle of My Skin (1953), which offers important tropes in Black existential thought that are synchronous with Frantz Fanon’s Peau noir, masques blancs (1952), but with a more detailed exploration of the concept of political complicity through Lamming’s portrait of the phenomenon of slime and its correlate, the slimy individual. The author also discusses Lamming’s treatment of the Fanonian motif of colonizing notions of normative development.