Abstract

The key idea given in Eminem's defense is that viewers who were upset were simply not understanding the nature of his performance. Implicitly, his defense admits that lip‐synching would be a fraudulent performance. However, the defense reclassifies these performances as genuine but flawed, ones in which he sometimes went silent when he should have been “doubling” the prerecorded vocal. Basically, Eminem's Saturday Night Live (SNL) presentations of “Mosh” and “Bezerk” are Andy Kaufman's “Mighty Mouse” piece minus the frame that raises the philosophical issues. Offering no larger frame and no indication of more complex intentions, Eminem's SNL performances of “Mosh” and “Bezerk” offer the audience little or nothing to appreciate. Depending on what a reader thinks he intended to do, he either did not give a live performance, or he gave a bad live performance. Kaufman, in contrast, used lip‐synching to give a great live performance.