Theatrical Enactment: The Guiding Intuitions

In The Art of Theater. Oxford, UK: Blackwell. pp. 58–69 (2007)
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Abstract

This chapter contains section titled: Enactment: Something Spectators and Performers do The Crucial Concept: “Attending to Another” What it is to “Occasion” Responses Audience Responses: Willing Suspension of Disbelief, Acquired Beliefs, or Acquired Abilities Relativizing the Account by Narrowing its Scope to Narrative Performances.

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James Hamilton
Kansas State University

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