Abstract

Dionysus has several sets throughout Friedrich Nietzsche (1844-1900) books. This question will arouse the interest of Brazilian interpreters when football is under observation. The aim of this article is to discuss the appropriations from the philosopher's concepts since the first half of the twentieth century. Commentators and the author himself saw that there are inflections about this theme in the Nietzschean work. The wide circulation of football elements in Brazil, its close connection with the national identity and with the popular cultural has to be taken into account in a consistent investigation.