Acquisitive Imitation and the Gift-Economy: Escaping Reciprocity in J. R. R. Tolkien's The Hobbit

Contagion: Journal of Violence, Mimesis, and Culture 24:217-231 (2017)
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Abstract

Thirteen dwarves and a wizard invade the quiet abode of Bilbo Baggins in an effort to recruit him for an expedition, the purported purpose of which is to recover stolen treasure and exact vengeance on Smaug the dragon, the robber who had cruelly killed a large portion of Thorin's family and friends. Although most readers and critics approach J. R. R. Tolkien's The Hobbit as a children's story, an unserious dress-rehearsal-sketch of The Lord of the Rings at best, and in spite of the fact that, as Nicholas Boyle notes, "there is something embarrassing" about discussing Tolkien's work in an academic context, for "it is so obviously not real literature," The Hobbit, with its "Secondary World" of fantastical creatures...

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