Abstract

African hair braiding on Bree Street offers a glimpse into how immigration, black female sexuality and shifts in urban retail economies provide important economic and cultural resources to urban residents and users. As both ontology and epistemology, black hair braiding practices recalibrate local economies, spaces, and aesthetic codes, and thus co-constitute emergent urban identities and a way of knowing the city. The intimate, networked, and fractal nature of black hair braiding spaces disrupts the rigid colonial spatial orders of the city and its architecture. As an epistemology, braiding disrupts the grand narrative of Johannesburg in ‘crisis’, while also disrupting the colonizing and gendered structure of urban studies itself.