Tonsuring the Performer: Image, Text, and Narrative in the Ballad-Drama Shizuka

Japanese Journal of Religious Studies 36 (2):295-317 (2009)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,069

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Tonsuring the Performer.Elizabeth Oyler - 2009 - Japanese Journal of Religious Studies 36 (2):295-317.
The Phenomenon of Invoking Fudō for Pure Land Rebirth in Image and Text.Karen Mack - 2006 - Japanese Journal of Religious Studies 33 (2):297-317.
Frame, flow and reflection: Ritual and drama as public liminality.Victor Turner - 1979 - Japanese Journal of Religious Studies 6 (4):465-499.
The image of woman in sermons: Anju in “Sanshō Dayū.”.Igeta Midori - 1983 - Japanese Journal of Religious Studies 10 (2-3):247-272.
Ise sankei mandara and the Image of the Pure Land.Peter Knecht - 2006 - Japanese Journal of Religious Studies 33 (2):223-248.
The Symbolic Image of Ancestors in the Church of World Messianity.Yutaka Tisdall-Yamada - 1991 - Japanese Journal of Religious Studies 18 (2/3):151-164.
The Image of Woman in Sermons: Anju in" Sanshō Dayū".Midori Igeta - 1983 - Japanese Journal of Religious Studies 10 (2/3):247-272.
The Ballad-Drama of Medieval Japan.P. G. O'Neill & James T. Araki - 1965 - Journal of the American Oriental Society 85 (3):454.

Analytics

Added to PP
2013-12-25

Downloads
7 (#1,412,480)

6 months
2 (#1,259,626)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references