Abstract

Through a cultural hermeneutic interpretation of the cadaver in the history of modern medicine, this study will argue that at least some medical interpretations of embodiment serve as a form of death denial. This analysis will draw on four major sources of evidence to support this contention: the history of cadaver dissection in Western medicine, diary entries by medical students taking a course in gross anatomy, responses to a 2005 panel on cadaver dissection held at Daemen College, and interviews with Guenther von Hagens, the creator of the “BodyWorlds” exhibit, which features plastinated corpses for the purpose of “edutainment.” In each of these cases, the data suggest that medical education works implicitly to manage death anxiety through a set of defenses which conceal the nothingness of death. Namely, by making death into a concrete event, preserved for example in the form of the cadaver or plastinated corpses, and by speaking rhetorically about death as a mechanical process, the medical model of death conceals the existential terror that comes with the lived experience of death as the termination of existence.