The Handmaid’s Tale as Philosophy: Autonomy and Reproductive Freedom

In David Kyle Johnson (ed.), The Palgrave Handbook of Popular Culture as Philosophy. Palgrave-Macmillan. pp. 185-209 (2022)
  Copy   BIBTEX

Abstract

In The Handmaid’s Tale and The Testaments, Margaret Atwood vividly portrays a dystopia from a woman’s point of view. The themes she explores are familiar, they are not shocking fictional devices designed to keep readers surprised and engaged. Instead, the stories describe how our own world might have been or, even worse, how it might be. It explores the dangers of treating women’s bodies as resources to be regulated and commodified. The series emphasizes the value of autonomy and highlights the ways in which it can be eroded by oppression until it no longer exists in any meaningful way. This chapter will explore the theme of autonomy as it arises in The Handmaid’s Tale and The Testaments. It will situate these stories as part of a long philosophical tradition of sorting members of society into groups based on their perceived skills and abilities, allowing no room for transcendence or self-creation. It will explore how manipulation of love and relationships, religion, the use of language, and opportunities to think critically can, without bars or shackles, imprison a population by diminishing their capacity for self-determination. The story of The Handmaid’s Tale and The Testaments is cautionary. This chapter will explore the nature of the lesson that story teaches.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,075

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Deny None of It: A Biocultural Reading of Margaret Atwood’s The Handmaid’s Tale.Gry Faurholt - 2021 - Evolutionary Studies in Imaginative Culture 5 (1):13-22.
Anamorphosis: Symbolic Orders in The Handmaid’s Tale.Hossein Joodaki - 2015 - International Journal of Žižek Studies 9 (2).
Oppression, Speech, and Mitsein in Margaret Atwood’s The Handmaid's Tale.Robert Luzecky - 2017 - Clio: A Journal of Literature, History, and the Philosophy of History 3 (46).
Reading the Gothic in Margaret Atwood's Novels.Colette Tennant - 2003 - Lewiston, N.Y. : Edwin Mellen Press.

Analytics

Added to PP
2024-05-03

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Author's Profile

Rachel Robison-Greene
Utah State University

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references