Abstract

Komunikacija je igra, ki se odvija v času. Med mogočim in nemogočim. Resna in neizprosna je kot vsaka igra, ki igralce tako prevzame in poveže, da se že zdi, da jih ne bo več izpustila iz svojega objema: igra ne mara prekinitev in zahteva izpolnitev. Katera pa je, če sploh obstaja, izpolnitev komunikacije? Komunikacija je nepredvidljiva kot vse kar, ko se nam zgodi, doživljamo kot dogodek. Protagonisti so v komunikacijo ujeti, še preden si lahko delajo utvare, da vodijo igro, ki jih vključuje v skrivnost skupne usode in ob tem še vedno ostaja, celo ko je videti uspešna, pravzaprav dvomljiva, nepričakovana, vznemirljiva, ker lahko naenkrat uide našemu predvidevanju. Prav tako kot nemogoče, ki naenkrat postane mogoče. A obenem tudi kot mogoče, ki je vselej izpostavljeno tveganju, da postane nemogoče. Communication is a play set in time: between the possible and the impossible. It is as serious and relentless as any play, which overwhelms and connects the actors so utterly that it almost seems as if they can no longer escape its embrace: the play defies interruptions and demands fulfillment. And what is, if at all, this fulfillment of communication? Communication is just as unpredictable as anything we experience as an event. The protagonists are caught in communication before they may embrace the illusion that it’s them who are in control of the play, which makes them part of the secret of common fate, while at the same time, even when it seems successful, it remains doubtful, unexpected and thrilling exactly because of its illusive nature. Just like the impossible that suddenly becomes possible. And likewise as the possible that always looms on the verge of becoming the impossible.