Abstract

The most important group of English illuminated manuscripts of the second half of the fourteenth century takes its name from the Bohun family, earls of Hereford, Essex, and Northampton. Seven lavishly illustrated psalters and books of hours constitute the core of the group. These manuscripts are the work of a single group of artists, some of whose hands recur in two or more of the volumes; they are closely related in book design and program of decoration; and finally, they all proclaim their connection with the Bohun family through textual and heraldic references. Yet like all surviving English manuscripts of the period, the Bohun volumes have always appeared to be the work of anonymous artists. My intention in this note is to lift the veil of anonymity from two of their hitherto unidentified illuminators. The names of these individuals can be found, I believe, by analysis of historical documentation already published but not yet considered in conjunction with the illuminations of the extant Bohun books. Knowledge of the names of these artists leads toward the solution of the unresolved problems of the dates, origins, and stylistic continuity of the Bohun manuscripts and reveals previously unsuspected circumstances of patronage and production of richly illustrated books made for the highest levels of the nobility of England during the time of Edward III and Richard II