Abstract

A paradigmatic means of conveying a turningpoint in a narrativeof danger is the line ‘we knew that’s it’. In four tellings of a single narrative about danger during the Holocaust, anarrator varies this line in ways that maintain its collective focus on knowledge, but alter what is ‘known’. An analysis of changes in the ‘we knew [x]’ line reveals its relationship with the changingstructure of the narrative and with the shift toward multi-vocalic means ofexternal evaluation. Also suggested is the relationship of the overall narrative changes to the changing place of Holocaust discourse, narrative and oral history in memory culture, and the larger discourse of resistance and survival.