Abstract

In this article, I outline a shift in certain design disciplines away from their particular historical identities to one of borrowing from and validating new design practices from research-based disciplines. While this move to “look outward” and engage with social contexts and disciplines is important, design practice and education often ignores the ongoing critiques of knowledge production that ultimately trace back to social “contexts” within and outside of the borrowed disciplines. Choosing a methodology based on its apparent efficacy without engaging a critical framework can easily exacerbate a “micro-physics of control” (Foucault), which is further extended through the design of large technical and economic branding and information systems that many designers are increasingly involved in. The article concludes with an expansion and suggested application of a critical framing based on “situated and contingent knowledges,” reinventing the idea of subject while reconciling empirical observation as contingent with ongoing critical interrogation.