Instruments of immolation: Giorgio Agamben and the Eucharistic reformations of the sixteenth century

Critical Research on Religion 9 (1):48-64 (2021)
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Abstract

Throughout the Homo Sacer series, Giorgio Agamben takes seriously the political and philosophical significance of Christian ritual in his archaeology of Western political discourse. In Opus Dei, Agamben argues for the sacrifice of the Mass as the paradigm for the ontology of effectivity, an ontology he sees as still regnant in the West. This ontology depends on the discourse of duty or office, and it begins with the priestly office. The priest’s duty is to be an “animate instrument” in the Mass. However, Agamben’s archaeology contains a massive gap between scholastic theology and Enlightenment political theory—the Protestant Reformation. I argue that Agamben’s hypothesis requires attending to the reformation of the Mass. Examining the works of Luther and Zwingli, I show that in spite of their rejection of the priesthood, the discourse of duty and operativity not only persists but expands through their respective sacramental theologies.

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References found in this work

How to do things with words.John Langshaw Austin - 1962 - Oxford [Eng.]: Clarendon Press. Edited by Marina Sbisá & J. O. Urmson.
The Use of Bodies.Giorgio Agamben - 2015 - Stanford, California: Stanford University Press. Edited by Adam Kotsko.
Profanations.Giorgio Agamben - 2005 - Zone Books.
Opus Dei: An Archaeology of Duty.Giorgio Agamben - 2013 - Stanford University Press.

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