Linked bibliography for the SEP article "18th Century French Aesthetics" by Jacques Morizot

This is an automatically generated and experimental page

If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.

A. Major Original Works available in English (in chronological order)

  • Bellicard, Jérôme-Charles and Cochin, Charles-Nicolas, 1753, Observations upon the Antiquities of the Town of Herculanum, London: D. Wilson and T. Durham. (Scholar)
  • Bouhours, Dominique, 1705, The Art of Criticism, Philip Smallwood (ed.), Delmar, NY: Scholar's Facsimiles & Reprints, 1981. (Scholar)
  • Cochin, Charles-Nicolas and Jérôme-Charles Bellicard, 1753, Observations upon the Antiquities of the Town of Herculaneum, London: D. Wilson and T. Durham. (Scholar)
  • De Piles, Roger, 1708, The Principles of Painting, London: J. Osborn, 1943. (Scholar)
  • Diderot's Early Philosophical Works, M. Jourdain (trans.), Chicago-London: Open Court, 1916.
  • Diderot on Art I and II, 1995, P. Goodman (trans.), New Haven: Yale University Press.
  • Du Bos, Jean-Baptiste, 1719, Critical Reflections on Poetry, Painting and Music, T. Nugent (trans.), London: John Nourse, 1748. (Scholar)
  • Félibien, André, 1667, Seven Conferences Held in the King of France's Cabinet of Paintings, Henri Testelin (trans.). London: T. Coope, 1740. [Discussions between “Le Brun, Bourdon, de Champagne, Perrault, etc., on some of the most celebrated pictures of Raphael, Titian, Paulo Veronese, Poussin, etc., in which the method of forming a judgment on paintings, is laid down with the greatest elegance and perspicuity”.] (Scholar)
  • Gerard, Alexander, 1759, Essay on Taste, with Three Dissertations on the Same Subject by Mr Voltaire, Mr d’Alembert, Mr de Montesquieu, London: A. Millar. (Scholar)
  • Grimm, Friedrich Melchior, 1753, Correspondance littéraire, Paris: Garnier Frères, 1877. (Scholar)
  • Helvetius, Claude, 1759, Essays on the Mind, W. Mudford (trans.) London:M. Jones, 1807. (Scholar)
  • –––, 1777, Treatise on Man, W. Hooper (trans.) London: Vernor, Hood, and Sharpe, 1810. (Scholar)
  • Rousseau, Jean-Jacques, Essay on the Origin of Languages and Writings Related to Music (Collected Writings of Rousseau), John T. Scott (trans.), Dartmouth: Dartmouth College Press, 2009.
  • Winckelmann, Johann Joachim, 1762, “Sendschreiben von den Herculanischen Entdeckungen” ("Letter About the Discoveries at Herculaneum"). (Scholar)
  • –––, 1764, “Nachrichten von den neuesten Herculanischen Entdeckungen” (“Report About the Latest Herculanean Discoveries”). (Scholar)

B. Sourcebooks and Other Primary Literature

  • Elledge, S. and Schier, D. (eds), 1970, The Continental Model: Selected French Essays of the 17th Century, Ithaca and London: Cornell University Press. (Scholar)
  • Batteux, Charles, 1746, Les Beaux Arts réduits À Un Même Principe, Paris: Durand. (Scholar)
  • Fumaroli, Marc, 2001, preface and essay in La Querelle des Anciens et des Modernes, Paris: Gallimard Folio. (Scholar)
  • Harrison, Charles, Wood, Paul and Gaiger, Jason (eds.), 2000, Art in Theory, 1648 – 1815, Oxford: Blackwell Publishers [This is cited as AT in the text.] (Scholar)
  • Holt, Elizabeth G., 1958, A Documentary History of Art, Princeton: Princeton University Press. (Scholar)
  • Saint-Girons, Baldine, 1990, Esthétiques du XVIIIe siècle: le modèle français, Paris: Sers. (Scholar)

C. Secondary Literature

  • Becq, Annie, 1994, Genèse de l’esthétique française moderne, 1680–1814, Paris: Albin Michel. (Scholar)
  • Belaval, Yvon, 1950, L’esthétique sans paradoxe de Diderot, Paris: Gallimard.
  • Cassirer, Ernst, 1932, The Philosophy of the Enlightenment, F.C.A. Koelln and J. P. Pettegrove (trans.), Princeton: Princeton University Press. (Scholar)
  • Chambers, F. P., 1932, The History of Taste: An Account of the Revolution of Art Criticism and Theory in Europe, New York: Columbia University Press. (Scholar)
  • Chouillet, Jacques, 1974, L’esthétique des Lumières, Paris: PUF.
  • Caylus, Anne Claude de, 1752-, Recueil d’antiquités égyptiennes, étrusques, grecques, romaines, et gauloises (“Collection of Egyptian, Etruscan, Greek, Roman, and Gallic Antiquities”), 7 vols., Paris: Desaint & Saillant, 1752-67. (Scholar)
  • Dieckmann, Herbert, 1965, “Esthetic Theory and Criticism in the Enlightenment” in Robert Mollenauer (ed.), Introduction to Modernity (Symposium on 18th Century Thought), pp. 63–105, Austin, University of Texas Press. (Scholar)
  • Doolittle, James, 1952, “Hieroglyph and Emblem in Diderot's Lettre sur les sourds et muets”, Diderot Studies II, Syracuse: Syracuse University Press. (Scholar)
  • Ehrard, Jean, 1970, L’idée de nature en France à l’aube des Lumières, Paris: Flammarion.
  • Folkierski, W., 1925, Entre le Classicisme et le Romantisme, étude sur l’esthétique et les esthéticiens du XVIIIe siècle, Paris: Honoré Champion, 1969. (Scholar)
  • Fontaine, André, 1909, Les doctrines d’art en France: Peintres, amateurs, critiques, de Poussin à Diderot, Paris: Laurens. (Scholar)
  • Fried, Michael, 1980, Absorption and Theatricality: Painting and Beholder in the Age of Diderot, Berkeley and London: University of California P. (Scholar)
  • Harpe, Jacqueline de la, 1955, Jean-Pierre de Crousaz et le conflit des idées au siècle des Lumières, Berkeley: University of California Press. (Scholar)
  • Hazard, Paul, 1935, La crise de la conscience européenne, 1680 – 1715, republished Paris: Livre de Poche Référence, 1994. (Scholar)
  • –––, 1946, La Pensée européenne du XVIIe siècle, republished Paris: Hachette Pluriel, 1954. (Scholar)
  • Hobson, Marian, 1982, The Object of Art, The Theory of Illusion in eighteenth Century France, Cambridge: Cambridge University Press. (Scholar)
  • Kintzler, Catherine, 1991, Poétique de l’opéra français de Corneille à Rousseau, Paris: Minerve. (Scholar)
  • Lombart, Alain, 1913, L’Abbé du Bos, un initiateur de la pensée moderne, 1670 – 1742, Paris: Hachette.
  • O'Dea, Michael, 1995, Jean-Jacques Rousseau: Music, Illusion and Desire, London: Palgrave Macmillan. (Scholar)
  • Pomeau, René, 1966, L’Europe des Lumières, cosmopolitisme et unité européenne au XVIIIe siècle, republished Paris: Hachette Pluriel.
  • Puttfarken, Thomas, 1986, Roger de Piles’ Theory of Art, New Haven: Yale University Press. (Scholar)
  • Saisselin, R. G., 1965, Taste in XVIIIth Century France, Syracuse: Syracuse University Press. (Scholar)
  • Scholar, Richard, 2005, The Je-ne-sais-quoi in early Modern Europe, Encounters with a Certain Something, Oxford: Oxford University Press. (Scholar)
  • Scott, John, 1998, “The Harmony between Rousseau's Musical Theory and His Philosophy,” Journal of the History of Ideas, 59(2): 287-308. (Scholar)
  • Sherman, Carol, 1976, Diderot and the Art of Dialogue, Genéve: Libraire Droz. (Scholar)
  • Teyssèdre, Bernard, 1957, Roger de Piles et les débats sur le coloris au siècle de Louis XIV, Paris: Bibliothèque des Arts. (Scholar)

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