Linked bibliography for the SEP article "18th Century French Aesthetics" by Jennifer Tsien and Jacques Morizot

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If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.

Many of the quotes in the text can be found in the following anthology:

This is cited as [AT] in the text. In Section 3, the translations of the quotes from J.-P. de Crousaz 1715 (Traité du beau) are by Katerina Deligiorgi.

Other useful anthologies include:

  • Elledge, Scott and Donald Schier (eds.), 1970, The Continental Model: Selected French Essays of the Seventeenth Century, revised edition, Ithaca and London: Cornell University Press; original edition 1960. (Scholar)
  • Fumaroli, Marc, 2001, La Querelle des Anciens et des Modernes, Paris: Gallimard Folio. (Scholar)
  • Saint-Girons, Baldine, 1990, Esthétiques du XVIIIe siècle: le modèle français, Paris: Sers. (Scholar)

Primary Literature

  • André, Yves Marie, 1741, Essai sur le beau, où l’on examine en quoi consiste précisément le beau dans le physique, dans le moral, dans les ouvrages d’esprit et dans la musique, Paris: Guérin. (Scholar)
  • Batteux, Charles, 1746 [2015], Les Beaux-arts réduits à un même principe, Paris: Durand. Translated as, The Fine Arts Reduced to a Single Principle, James O. Young (trans.), Oxford: Oxford University Press, 2015. doi:10.1093/actrade/9780198747116.book.1 (Scholar)
  • –––, 1753, Cours de belles-lettres, ou Principes de la littérature (Principles of Literature), Paris: Durand. (Scholar)
  • Baumgarten, Alexander Gottlieb, 1735, Meditationes philosophicae de Nonnullis ad poema pertinentibus, [Baumgarten 1735 available online] (Scholar)
  • Blanchard, Louis-Gabriel, 1671, “Sur le mérite de la couleur”, in A. Fontaine, Conférences inédites de l’Académie royale de Peinture et de Sculpture, Paris: Minerva, 1903; translation in [AT] by Katerina Deligiorgi. (Scholar)
  • Bouhours, Dominque, 1671 [1705], Entretiens d’Ariste et Eugène, Paris: Mabre-Cramois. Translated as The Art of Criticism, 1705; reprinted Delmar, NY: Scholar’s Facsimiles & Reprints, 1981. (Scholar)
  • Cartaud de la Vilate, François, 1726, Essai historique et philosophique sur le goût, Paris: Chez Maudouyt. (Scholar)
  • Cochin, Charles Nicolas and Jérôme Charles Bellicard, 1753, Observations upon the Antiquities of the Town of Herculaneum, London: D. Wilson and T. Durham. [Cochin and Bellicard 1753 available online] (Scholar)
  • Crousaz, Jean-Pierre de, 1715, Traité du beau, Où l’on montre en quoi consiste ce que l’on nomme ainsi, par des exemples tirez de la plûpart des arts & des sciences, Amsterdam: Chez François L’Honoré. Part translated as “Treatise on Beauty” in AT: ch. 70. (Scholar)
  • Dacier, Anne Le Fèvre, 1711, L’Iliade d’Homère Traduite en François, Paris.
  • –––, 1714, Des Causes de la Corruption du Goust (On the Causes of the Corruption of Taste), Paris: Rigaud. (Scholar)
  • De Piles, Roger (trans.), 1668, L’art de peinture, de Charles-Alphonse Du Fresnoy, Paris. [De Piles 1668 available online]
  • –––, 1673, Dialoque sur le coloris (Dialogue upon Coloring), Paris: N. Langlois. [De Piles 1673 available online] (Scholar)
  • –––, 1708, Cours de peinture par principes avec un balance de peintres, Paris: J. Estienne; translated as The Principles of Painting, anonymous translator, London: J. Osborn, 1743. [De Piles 1708 available online] (Scholar)
  • Diderot, Denis, 1751a, “Beau”, in Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, Diderot and d’Alembert (eds), 1751–1765, Paris: Briasson, vol. 1: 169–181. [Diderot 1751a available online] (Scholar)
  • –––, 1751b, Lettre sur les sourds et muets a l’usage de ceux qui entendent et qui parlent (Letter on the Deaf and Dumb, for the use of those who hear and speak), published anonymously. [Diderot 1751b available online] (Scholar)
  • –––, Diderot on Art I: The Salon of 1765 and Notes on Painting (“Essais sur la peinture”, 1766), John Goodman (trans.), New Haven, CT: Yale University Press, 1995. (Scholar)
  • –––, Diderot on Art II: The Salon of 1767, John Goodman (trans.), New Haven, CT: Yale University Press, 1995. (Scholar)
  • –––, 1763, Œuvres, Laurent Versini (ed.), volume 4 of 5, Paris: Laffont, 1996; translation in [AT] by Kate Tunstall.
  • DuBos, Jean-Baptiste, 1719, Réflexions critiques sur la poésie et sur la peinture, Paris: Mariette, 1733. Translated as Critical Reflections on Poetry, Painting and Music, Thomas Nugent (trans.), London: John Nourse, 1748.
  • Félibien, André, 1667, Conferences de l’Academie royale de peinture et de sculpture, pendant l’année 1667, Paris: Frederic Leonard. Translated as Seven Conferences Held in the King of France’s Cabinet of Paintings, Henri Testelin (trans.). London: T. Cooper, 1740. (Scholar)
  • –––, 1725, Entretiens sur les vies et les ouvrages des plus excellents peintres anciens et modernes, Trévoux: Imprimerie de S. A. S.; translation in [AT] by Jonathan Murphy. [Félibien died in 1695 and this work was published posthumously.] (Scholar)
  • Hutcheson, Francis, 1725, Inquiry into the Original of our Ideas of Beauty and Virtue in Two Treatises, London. (Scholar)
  • Jaucourt, Louis de, 1765, “Louvre, Le”, in Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, Diderot and d’Alembert (eds), 1751–1765, Paris: Briasson,vol. 9: 706–707. (Scholar)
  • La Font de Saint-Yenne, Étienne, 1747, Réflexions sur quelques causes de l’état présent de la peinture en France, The Hague: Jean Neaulme.
  • La Motte, Houdar de, 1714, L’Iliade, avec Discours sur Homère, Paris: Dupuis. [La Motte 1714 available online]
  • Lambert, Anne-Thérèse, Marquise de, 1748, “Reflexions sur le Goût”, in Œuvres, Paris: Ganeau, 214–218. Translated as “Some Thoughts on Taste”, in The Works of the Marchioness de Lambert, Dublin: J. Potts, 1770, 181–184. (Scholar)
  • Le Brun, Charles, 1672, “Sentiments sur le discours du mérite de la couleur par M. Blanchard”, in André Fontaine, Conférences inédites de l’Académie royale de Peinture et de Sculpture, Paris: Minerva, 1903, pp. 35–43; translation in AT by Katerina Deligiorgi. (Scholar)
  • Mariette, Pierre-Jean, 1851–60, Abecedario de P.J. Mariette, 6 volumes, Paris. (Scholar)
  • Marmontel, Jean François, 1787, Eléments de littérature, Paris: Desjonquères, 2005. (Scholar)
  • Montesquieu, C., Voltaire, and Jean Le Rond d’Alembert, 1757, “Goût”, in Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, Diderot and d’Alembert (eds), 1751–1765, Paris: Briasson, vol. 7: 758–770. Translated as an annex to Alexander Gerard, 1759, Essay on Taste, with Three Dissertations on the Same Subject by Mr de Voltaire, Mr d’Alembert, Mr de Montesquieu, London: A. Millar. [Goût 1759 available online] (Scholar)
  • Pernéty, Antoine-Joseph, 1757, Dictionnaire portatif de peinture, sculpture et gravure, Paris: Bauche. [Pernéty 1757 available online] (Scholar)
  • Perrault, Charles, 1688–1697, Parallèle des Anciens et des Modernes, Paris: Coignard. (Scholar)
  • Poussin, Nicolas, 1647, “Letter to Chantelou”, in Anthony Blunt, Nicolas Poussin, London: Phaidon, 1967, pp. 367, A. Blunt (trans.). (Scholar)
  • Rameau, Jean-Philippe, 1722, Traité de L’Harmonie: Reduite à ses Principes naturels (Treatise on Harmony), Paris: Ballard. (Scholar)
  • –––, 1750, Démonstration du principe de l’harmonie, Paris: Durand.
  • Rousseau, Jean-Jacques, 1753, Lettre sur la musique français, (Letter on French Music). [Rousseau 1753 available online] (Scholar)
  • Voltaire, 1733, Le Temple du goût (The Temple of Taste), Amsterdam: Jaques Desbordes. [Voltaire 1733 available online] (Scholar)
  • Watelet, Claude-Henri and Pierre-Charles Lévesque, 1792, Dictionnaire des arts de peinture, sculpture et gravure, 5 volumes, Paris: Prault. (Scholar)

Secondary Literature

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