The review discusses four recent books and collections that approach in different ways the role of aesthetics in Nietzsche’s work, both as a question of poetic expression and as the shaping of sensibility. They testify to a deepening interest in the processes through which he forged his unique style. This involves micro-analyses of the composition of Nietzsche’s writings from the raw material of his notebooks. It also involves biographical and material contexts, as in Tobias Brücker’s monograph on the composition of (...) The Wanderer and His Shadow. Instead of accepting the dichotomy between a Dichterphilosoph and a philosopher for whom style was merely an instrument for formulating truths, these books display in different ways how in the case of Nietzsche this dichotomy breaks down and gives way to a widened concept of philosophical writing that includes many different genres. Other works by Nietzsche discussed are Zarathustra and The Gay Science, and also Ecce Homo. Nietzsche seduced with his art, but he also saw through the art of seduction as practiced by the artist, opting for a position beyond the conventional split between poetics and philosophy. (shrink)

The subject of this article points beyond a purely literary or literary-historical approach. The question is, whether and how a human being is able to change the (social) conditions of their life by changing himself through transition into another form of existence. In order to overcome established (social) conditions and one’s self, it is necessary to begin with a vision, a utopian dream. Those who pursue the utopian dream of overcoming their current (social) conditions must acknowledge their own good and (...) evil, that is, their position vis-à-vis equality and justice, law and morality. The person itself, and its personality, is revealed in the relation between the utopia of changing its current way of life and its social reality. The ultimate question is: what is the essence of humanity, the ecce homo? Both the transition into a new form of being and the utopian dream differ decisively in Don Quixote and Zarathustra. It is not my concern to compare them as literary figures. (shrink)