Abstract

The Club, by the Greek author Stratis Tsirkas, classified among the political novels, is a work that brings also to the center stage the importance of myths and symbols, both ancient Greek and Judeo-Christian, in the context of the Second World War in the Middle East. People of various nationalities and goals, boundless and completely confused, profaning the sacred and at the same time making sacred the profane, are concentrated around the city of Jerusalem. The novel’s mythic imaginary revolves around three main axes: the first is the sacredness of the city and the importance of the center; the second concerns aquatic symbols and dreams and the third, the symbol of woman. Their analysis will help us to perceive the myths and symbols as modus vivendi and their effect on human consciousness, behavior and action in 1942, during the period of the armed conflict in Europe.