The Relationship of Chinese Modem Short Stories and the Historical Classical Works

Nankai University (Philosophy and Social Sciences) 5:110-117 (2007)
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Abstract

Classic text in modern Chinese history and culture of short story books for use with the formation of the modern art of the novel has a very close relationship between. Think there is kind of state of text short stories, and related issues through the change proposition, and the West "intertextuality" of ancient Chinese theory of "vicissitudes" thinking of the relationship is to explore the theoretical basis of the relationship between the two. "Great Ze" perspective by describing the changes to historical events into the modern short story; "stone dried" use "Water Margin" in the blank spots perfunctory written text; "Leopard Head Lin" conversion narrative focus, so that the original narrative of the story the modern short story; "garden" will be poetry, literary allusions and historical allusions melt into the text narrative, and allusions to classical poetry into the modern short story; "Peony Pavilion" by describing the levels of progression and the use of metaphorical way, the formation of modern novel in the "metaphysical quality" layer. Based on the above analysis to draw some theoretical value of the view. There is a very close relationship between the historical Classical works and the Chinese modem short stories. It is the theoretical base for discussing their relation to study the Western works' complementary theory and ancient China "changing" thoughts. The historical events go into the modem short story through changing the narrative viewpoint in Daze Xiang and Baozitou Lin Chun. Shi Jie makes use of the places of indeterminacy from the Mll Men Are Brothers. Garden brings the classical poems and literary quotations into the narration of modem short story. Visiting Garden and Shocking Dream forms the metaphysic qualities by using the step-up of narrative level and metaphor

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