Abstract

Previous chapter Towards a Rhuthmic Theory of Information? From a rhythmological viewpoint, Morin's doctrine of information was much more elaborated than the one we found in Serres' study on Lucretius. We remember that when Serres faced language and art, he vaguely alluded to a most questionable physical theory of “sound vortices” emerging from the “background noise” and banally confused poetry with music, as well as rhythm with music. Although he rightfully asked the - Linguistique et théorie du langage – Nouvel article