Abstract

This text discusses Flusser’s thinking regarding the ‘technical image’ in relation to a recent artist’s book, Accidental Journey. The book is nominally about the moon and astronomy, and contains images, factual and fictional texts, documents of my own and others’ research, travels, illustrations, scientific diagrams, and so on. Also presented is an excerpt from the book together with a selected quotation from an unpublished work by Flusser, ‘Between the probable and the impossible’,. Often with art it is not clear what goes into formulating and making a work. The research that feeds into the development of the work remains crucial but is often undisclosed. Acting as a repository for the unexpected, the book in this sense was an attempt to enable these things to see the light of day. Flusser’s thinking is important not only towards developing a critical understanding and formulation of theory and a reflection on the practical processes at work, but also in terms of the nature of research itself: that is, the potentialities that proliferate through looking and searching, which hint at a realm of the possible as opposed to the probable. The text is not intended to situate Flusser’s writing other than in terms of my own thinking and the processes that lead to making work, in whatever form that may take