Abstract

Understanding Aesthetics in it's etymological meaning as the "science of the perception" makes any study of the theory of the sensibility essential to understand a given aesthetics. Moreover, theories of sensibility and knowledge in Arabic and Islamic classical culture, have hardly been probed in it's aesthetic dimension. As a result of this, the spread of conceptualizations about Arabic and Islamic aesthetics has, in many cases, sunk in a sea of imprecisions and prejudgements. In the following pages, we present an approximation of these topics through works of greats thinkers from Al-Andalus such as Ibn Hazm, Ibn Bayya, Ibn Tufayl, Ibn Rusd, Hazim al-Qartayanni, Ibn 'Arabi and Ibn Jaldun, in whose works we appreciate a clear, though diverse, intention of constituting a cognizant and percipient human subject, ethically and aesthetically defined, across psychologies and concepts that we will also discover in the construction of Aesthetics in the West.